Demonstration venue · read-only. Every page can be browsed; the buttons that would change it are switched off. Create an account to run TaxoReview on your own data. A simulation from public publication records: the people listed were not invited and did not agree to review.
? Tutorial for this page

David Isherwood

dblp:06/6887 · DBLP profile ↗
← Back
2ranked-venue papers
0as first author
0since 2021 · last 2005
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 2

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Image and video coding · 50% Multimedia systems and quality of experience · 50%

Topics — the 2 heaviest of 2, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Multimedia systems and quality of experience › multimedia streaming
music streaming
0.012003
Content-based UEP: a new scheme for packet loss recovery in music streaming · ACM Multimedia 2003
Image and video coding › error resilience
packet loss recovery
0.012003
Content-based UEP: a new scheme for packet loss recovery in music streaming · ACM Multimedia 2003

Methods — techniques the papers use, named apart from their topics

unequal error protection · 0.0forward error correction · 0.0
YearPublicationVenuePosition
2005 Toward bandwidth-efficient and error-robust audio streaming over lossy packet networks
Jari Korhonen, Ye Wang 0007, David Isherwood
Multim. Syst.3
2003 Content-based UEP: a new scheme for packet loss recovery in music streaming
abstract
Bandwidth efficiency and error robustness are two essential and conflicting requirements for streaming media content over error-prone channels, such as wireless channels. This paper describes a new scheme called content-based unequal error protection (C-UEP), which aims to improve the user-perceived QoS in the case of packet loss. We use music streaming as an example to show the effectiveness of the new concept. C-UEP requires only a small fraction of the redundancy used in existing forward error correction (FEC) methods. C-UEP classifies every audio segment (e.g. an encoding frame) into different classes to improve encoding efficiency. Salient transients such as drumbeats and note onsets are encoded with more redundancy in a secondary bitstream used to recover lost packets by the receiver. Formal perceptual evaluations show that our scheme improves audio quality significantly over simple muting and packet repetition baselines. This improvement is achieved with a negligible amount of redundancy, which is transmitted to the receiver ahead of playback.
Ye Wang 0007, Ali Ahmaniemi, David Isherwood, Wendong Huang
ACM Multimedia3