We study data structure lower bounds for the Approximate Matrix Powering (AMP) problem. Given a substochastic, symmetric matrix 𝐌 ∈ ℝ^{n× n} and parameters k and α, the goal is to preprocess 𝐌 so as to answer entry queries (u,v)↦ 𝐌^{k}[u,v] up to additive error 1/n^{α}. We focus on AMP in the succinct and systematic regime, in which the data structure stores 𝐌 verbatim, uses an additional r bits of redundancy, and must answer queries by probing only a small number of entries of 𝐌. Our main conceptual contribution is a general framework for proving probe-redundancy trade-offs for systematic data structures. We introduce the query-with-sketch model and develop a min-entropy-based approach that lifts conditional min-entropy bounds in the absence of redundancy to probe lower bounds in the presence of redundancy. We then establish these min-entropy bounds using problem-specific analytic and algebraic tools, for the downstream applications to AMP and its variants. As a consequence, our results provide new unconditional evidence toward a conjecture of Pătraşcu and Roditty on the space required for constant-time set-disjointness queries [Patrascu and Roditty, 2010].

This work initiates the study of memory–query tradeoffs for graph problems, with a focus on correlation clustering. Correlation clustering asks for a partition of the vertices that minimizes disagreements: non‑edges inside clusters plus edges across clusters. Our first result is a tight query lower bound: to output a partition whose cost approximates the optimum up to an additive error of ε n², any algorithm requires Ω(n/ε²) adjacency-matrix queries. Under memory constraints, we show that even for the seemingly easier task of approximating the optimal clustering cost (without producing a partition), any algorithm in the random query model must make ≫ n/ε² adjacency-matrix queries. Finally, we prove the first general graph model query lower bound for correlation clustering, where algorithms are allowed adjacency-matrix, neighbor, and degree queries. The latter two bounds are not yet tight, leaving room for sharper results.

Deep neural networks (DNNs) have become pivotal in machine learning, but the impact of weight precision, such as in networks with rectified linear units (ReLU), remains underexplored. We analytically investigate the interplay of three key factors: the precision of ReLU network weights, the number of neurons, and the time of the preprocessing algorithm that generates the network description. Our study, which, to the best of our knowledge, is the first formal work on weight precision, yields three main results. (1) We present an exponential time preprocessing algorithm that showcases the possibility of trading ReLU nodes for weight precision. Specifically, our method achieves an exponential reduction in neuron count when computing any function of high complexity with boolean input encoding. What is the implication of the above result in theoretical and practical works? (2) In theory of computing, in general, there is no free lunch. In our case, if you significantly reduce the number of neurons then you should pay the cost in weight precision. To address this, we introduce a notion of network size that considers weight precision in addition to the network's number of neurons. We establish that under this redefined notion of network size, it is generally impossible to exchange neurons for weight precision in ReLU networks of the same (redefined) size. (3) In practice, we show that high weight precision alone cannot help in reducing the neuron count. If instead of our exponential time preprocessing algorithm one uses any polynomial time algorithm, then it is impossible to non-trivially reduce the neuron count, regardless of the high weight precision.

This paper proposes a new oil painting reproduction method using 3D printing to compensate for the deficiencies of the existing methods. First, 3D reconstruction of oil paintings is completed by photogrammetry; the oil painting color and the 3D geometric information are recovered better by acquiring several sets of orthophotomaps, and modeling accuracy is ensured with a control mesh or by flattening. Next, the contours and hypsometric tints of the 3D model for oil paintings are generated using contour tracing algorithm, and the image segmentation of renderings is completed using RGB image segmentation algorithm, with the layered section extracted from each layer and the 3D geometric information converted into 2D plane information. Finally, the 3D models of oil paintings are presented through UV inkjet printing with images superimposed layer upon layer, and stereoscopic reproduction of oil paintings is completed based on the orthophotomaps printed from the 3D models.