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Kazuki Okami

dblp:132/4274 · DBLP profile ↗
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3ranked-venue papers
0as first author
1since 2021 · last 2022
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 3 · 1 since 2021Graphics, computer vision, multimedia, augmented reality and games · 3 · 1 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
3 papers
Image and video processing · 100%

Topics — the 4 heaviest of 4, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Image and video processing › image sequence processing
temporal filtering
1.332022
Bilateral Video Magnification Filter · CVPR 2022
Video Magnification in the Wild Using Fractional Anisotropy in Temporal Distribution · CVPR 2019
Jerk-Aware Video Acceleration Magnification · CVPR 2018
Image and video processing › video enhancement
video magnification
1.332022
Bilateral Video Magnification Filter · CVPR 2022
Video Magnification in the Wild Using Fractional Anisotropy in Temporal Distribution · CVPR 2019
Jerk-Aware Video Acceleration Magnification · CVPR 2018
Image and video processing › video enhancement › video magnification
eulerian video magnification
0.612022
Bilateral Video Magnification Filter · CVPR 2022
Image and video processing
motion analysis
0.432022
Bilateral Video Magnification Filter · CVPR 2022
Video Magnification in the Wild Using Fractional Anisotropy in Temporal Distribution · CVPR 2019
Jerk-Aware Video Acceleration Magnification · CVPR 2018

Methods — techniques the papers use, named apart from their topics

laplacian of gaussian · 0.6fourier shift theorem · 0.6bilateral filter · 0.6fractional anisotropy · 0.4anisotropic diffusion · 0.4jerk-based smoothness · 0.3jerk-aware filter · 0.3
YearPublicationVenuePosition
2022 Bilateral Video Magnification Filter
abstract
Eulerian video magnification (EVM) has progressed to magnify subtle motions with a target frequency even under the presence of large motions of objects. However, existing EVM methods often fail to produce desirable results in real videos due to (1) misextracting subtle motions with a non-target frequency and (2) collapsing results when large de/acceleration motions occur (e.g., objects suddenly start, stop, or change direction). To enhance EVM performance on real videos, this paper proposes a bilateral video magnification filter (BVMF) that offers simple yet robust temporal filtering. BVMF has two kernels; (I) one kernel performs temporal bandpass filtering via a Laplacian of Gaussian whose passband peaks at the target frequency with unity gain and (II) the other kernel excludes large motions outside the magnitude of interest by Gaussian filtering on the intensity of the input signal via the Fourier shift theorem. Thus, BVMF extracts only subtle motions with the target frequency while excluding large motions outside the magnitude of interest, regardless of motion dynamics. In addition, BVMF runs the two kernels in the temporal and intensity domains simultaneously like the bilateral filter does in the spatial and intensity domains. This simplifies implementation and, as a secondary effect, keeps the memory usage low. Experiments conducted on synthetic and real videos show that BVMF outperforms state-of-the-art methods.
Shoichiro Takeda, Kenta Niwa, Mariko Isogawa, Shinya Shimizu, Kazuki Okami, Yushi Aono
CVPR5
2019 Video Magnification in the Wild Using Fractional Anisotropy in Temporal Distribution
abstract
Video magnification methods can magnify and reveal subtle changes invisible to the naked eye. However, in such subtle changes, meaningful ones caused by physical and natural phenomena are mixed with non-meaningful ones caused by photographic noise. Therefore, current methods often produce noisy and misleading magnification outputs due to the non-meaningful subtle changes. For detecting only meaningful subtle changes, several methods have been proposed but require human manipulations, additional resources, or input video scene limitations. In this paper, we present a novel method using fractional anisotropy (FA) to detect only meaningful subtle changes without the aforementioned requirements. FA has been used in neuroscience to evaluate anisotropic diffusion of water molecules in the body. On the basis of our observation that temporal distribution of meaningful subtle changes more clearly indicates anisotropic diffusion than that of non-meaningful ones, we used FA to design a fractional anisotropic filter that passes only meaningful subtle changes. Using the filter enables our method to obtain better and more impressive magnification results than those obtained with state-of-the-art methods.
Shoichiro Takeda, Yasunori Akagi, Kazuki Okami, Megumi Isogai, Hideaki Kimata
CVPR3
2018 Jerk-Aware Video Acceleration Magnification
abstract
Video magnification reveals subtle changes invisible to the naked eye, but such tiny yet meaningful changes are often hidden under large motions: small deformation of the muscles in doing sports, or tiny vibrations of strings in ukulele playing. For magnifying subtle changes under large motions, video acceleration magnification method has recently been proposed. This method magnifies subtle acceleration changes and ignores slow large motions. However, quick large motions severely distort this method. In this paper, we present a novel use of jerk to make the acceleration method robust to quick large motions. Jerk has been used to assess smoothness of time series data in the neuroscience and mechanical engineering fields. On the basis of our observation that subtle changes are smoother than quick large motions at temporal scale, we used jerk-based smoothness to design a jerk-aware filter that passes subtle changes only under quick large motions. By applying our filter to the acceleration method, we obtain impressive magnification results better than those obtained with state-of-the-art.
Shoichiro Takeda, Kazuki Okami, Dan Mikami, Megumi Isogai, Hideaki Kimata
CVPR2