Fourier ptychography is an imaging technique that overcomes the diffraction limit of conventional cameras with applications in microscopy and long range imaging. Diffraction blur causes resolution loss in both cases. In Fourier ptychography, a coherent light source illuminates an object, which is then imaged from multiple viewpoints. The reconstruction of the object from these set of recordings can be obtained by an iterative phase retrieval algorithm. However, the retrieval process is slow and does not work well under certain conditions. In this paper, we propose a new reconstruction algorithm that is based on convolutional neural networks and demonstrate its advantages in terms of speed and performance.

Time-of-flight (ToF) imaging is an active method that utilizes a temporally modulated light source and a correlation-based (or lock-in) imager that computes the round-trip travel time from source to scene and back. Much like conventional imaging ToF cameras suffer from the trade-off between depth of field (DOF) and light throughput-larger apertures allow for more light collection but results in lower DoF. This trade-off is especially crucial in ToF systems since they require active illumination and have limited power, which limits performance in long-range imaging or imaging in strong ambient illumination (such as outdoors). Motivated by recent work in extended depth of field imaging for photography, we propose a focal sweep-based image acquisition methodology to increase depth-of-field and eliminate defocus blur. Our approach allows for a simple inversion algorithm to recover all-in-focus images. We validate our technique through simulation and experimental results. We demonstrate a proof-of-concept focal sweep time-of-flight acquisition system and show results for a real scene.

One popular technique for multimodal imaging is generalized assorted pixels (GAP), where an assorted pixel array on the image sensor allows for multimodal capture. Unfortunately, GAP is limited in its applicability because of the need for multimodal filters that are amenable with semiconductor fabrication processes and results in a fixed multimodal imaging configuration. In this paper, we advocate for generalized assorted camera (GAC) arrays for multimodal imaging--i.e., a camera array with filters of different characteristics placed in front of each camera aperture. The GAC provides us with three distinct advantages over GAP: ease of implementation, flexible application-dependent imaging since filters are external and can be changed and depth information that can be used for enabling novel applications (e.g., postcapture refocusing). The primary challenge in GAC arrays is that since the different modalities are obtained from different viewpoints, there is a need for accurate and efficient cross-channel registration. Traditional approaches such as sum-of-squared differences, sum-of-absolute differences, and mutual information all result in multimodal registration errors. Here, we propose a robust cross-channel matching cost function, based on aligning normalized gradients, which allows us to compute cross-channel subpixel correspondences for scenes exhibiting nontrivial geometry. We highlight the promise of GAC arrays with our cross-channel normalized gradient cost for several applications such as low-light imaging, postcapture refocusing, skin perfusion imaging using color + near infrared, and hyperspectral imaging.

A tenet of object classification is that accuracy improves with an increasing number (and variety) of spectral channels available to the classifier. Hyperspectral images provide hundreds of narrowband measurements over a wide spectral range, and offer superior classification performance over color images. However, hyperspectral data is highly redundant. In this paper we suggest that only 6 measurements are needed to obtain classification results comparable to those realized using hyperspectral data. We present classification results for a natural scene using three imaging modalities: 1) using three broadband color filters (RGB) and three narrowband samples, 2) using six narrowband samples, and 3) using six commonly available optical filters. If these results hold for larger datasets of natural images, recently proposed multispectral image sensors [1, 2] can be used to offer material classification results equal to that of hyperspectral data.

Screen-to-camera visible-light communication links are fundamentally limited by inter-symbol interference, in which the camera receives multiple overlapping symbols in a single capture exposure. By determining interference constraints, we are able to decode symbols with multi-bit depth across all three color channels. We present Styrofoam, a coding scheme which optimally satisfies the constraints by inserting blank frames into the transmission pattern. The coding scheme improves upon the state-of-the-art in camera-based visible-light communication by: (1) ensuring a decode with at least half-exposure of colored multi-bit symbols, (2) limiting decode latency to two transmission frames, and (3) transmitting 0.4 bytes per grid block at the slowest camera's frame rate. In doing so, we outperform peer unsynchronized VLC transmission schemes by 2.9x. Our implementation on smartphone displays and cameras achieves 69.1 kbps.

Video cameras are invariably bandwidth limited and this results in a trade-off between spatial and temporal resolution. Advances in sensor manufacturing technology have tremendously increased the available spatial resolution of modern cameras while simultaneously lowering the costs of these sensors. In stark contrast, hardware improvements in temporal resolution have been modest. One solution to enhance temporal resolution is to use high bandwidth imaging devices such as high speed sensors and camera arrays. Unfortunately, these solutions are expensive. An alternate solution is motivated by recent advances in computational imaging and compressive sensing. Camera designs based on these principles, typically, modulate the incoming video using spatio-temporal light modulators and capture the modulated video at a lower bandwidth. Reconstruction algorithms, motivated by compressive sensing, are subsequently used to recover the high bandwidth video at high fidelity. Though promising, these methods have been limited since they require complex and expensive light modulators that make the techniques difficult to realize in practice. In this paper, we show that a simple coded exposure modulation is sufficient to reconstruct high speed videos. We propose the Flutter Shutter Video Camera (FSVC) in which each exposure of the sensor is temporally coded using an independent pseudo-random sequence. Such exposure coding is easily achieved in modern sensors and is already a feature of several machine vision cameras. We also develop two algorithms for reconstructing the high speed video; the first based on minimizing the total variation of the spatio-temporal slices of the video and the second based on a data driven dictionary based approximation. We perform evaluation on simulated videos and real data to illustrate the robustness of our system.