Demo Data from VLDB 2026 / reviewers in the wild / expert
Eoin Gillen
dblp:153/2286
· DBLP profile ↗
3ranked-venue papers
0as first author
0since 2021 · last 2015
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Graphics, computer vision, multimedia, augmented reality and games · 3Artificial intelligence and machine learning · 1
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Audio and music processing · 93% Multimedia systems and quality of experience · 7% | |
| Artificial intelligence
1 paper |
Speech recognition and synthesis · 100% |
Topics — the 7 heaviest of 8, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Natural language and speech › Speech recognition and synthesis › automatic speech recognition › multimodal speech recognition
audio-visual speech recognition |
0.2 | 1 | 2015 | TCD-TIMIT: An Audio-Visual Corpus of Continuous Speech · IEEE Trans. Multim. 2015 |
Natural language and speech › Speech recognition and synthesis
speech corpus |
0.2 | 1 | 2015 | TCD-TIMIT: An Audio-Visual Corpus of Continuous Speech · IEEE Trans. Multim. 2015 |
Audio and music processing
audio coding |
0.2 | 1 | 2014 | Perceived Audio Quality for Streaming Stereo Music · ACM Multimedia 2014 |
Audio and music processing
audio quality assessment |
0.2 | 1 | 2014 | Perceived Audio Quality for Streaming Stereo Music · ACM Multimedia 2014 |
Audio and music processing › audio coding
lossy audio compression |
0.2 | 1 | 2014 | Perceived Audio Quality for Streaming Stereo Music · ACM Multimedia 2014 |
Audio and music processing › audio quality assessment
perceived audio quality |
0.2 | 1 | 2014 | Perceived Audio Quality for Streaming Stereo Music · ACM Multimedia 2014 |
Multimedia systems and quality of experience › multimedia streaming
music streaming |
0.1 | 1 | 2014 | Perceived Audio Quality for Streaming Stereo Music · ACM Multimedia 2014 |
Methods — techniques the papers use, named apart from their topics
MUSHRA · 0.2
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2015 | Measuring and monitoring speech quality for voice over IP with POLQA, viSQOL and p.563abstractThere are many types of degradation which can occur in Voice over IP (VoIP) calls. Of interest in this work are degradations which occur independently of the codec, hardware or network in use. Specifically, their effect on the subjective and objec- tive quality of the speech is examined. Since no dataset suit- able for this purpose exists, a new dataset (TCD-VoIP) has been created and has been made publicly available. The dataset con- tains speech clips suffering from a range of common call qual- ity degradations, as well as a set of subjective opinion scores on the clips from 24 listeners. The performances of three ob- jective quality metrics: POLQA, ViSQOL and P.563, have been evaluated using the dataset. The results show that full reference metrics are capable of accurately predicting a variety of com- mon VoIP degradations. They also highlight the outstanding need for a wideband, single-ended, no-reference metric to mon- itor accurately speech quality for degradations common in VoIP scenarios. Andrew Hines, Eoin Gillen, Naomi Harte |
INTERSPEECH | 2 |
| 2015 | TCD-TIMIT: An Audio-Visual Corpus of Continuous SpeechabstractAutomatic audio-visual speech recognition currently lags behind its audio-only counterpart in terms of major progress. One of the reasons commonly cited by researchers is the scarcity of suitable research corpora. This paper details the creation of a new corpus designed for continuous audio-visual speech recognition research . TCD-TIMIT consists of high-quality audio and video footage of 62 speakers reading a total of 6913 phonetically rich sentences. Three of the speakers are professionally-trained lipspeakers, recorded to test the hypothesis that lipspeakers may have an advantage over regular speakers in automatic visual speech recognition systems. Video footage was recorded from two angles: straight on, and at 30°. The paper outlines the recording of footage, and the required post-processing to yield video and audio clips for each sentence. Audio, visual, and joint audio-visual baseline experiments are reported. Separate experiments were run on the lipspeaker and non-lipspeaker data, and the results compared. Visual and audio-visual baseline results on the non-lipspeakers were low overall. Results on the lipspeakers were found to be significantly higher. It is hoped that as a publicly available database, TCD-TIMIT will now help further state of the art in audio-visual speech recognition research. Naomi Harte, Eoin Gillen |
IEEE Trans. Multim. | 2 |
| 2014 | Perceived Audio Quality for Streaming Stereo MusicabstractUsers of audio-visual streaming services expect an ever increasing quality of experience. Channel bandwidth remains a bottleneck commonly addressed with lossy compression schemes for both the video and audio streams. Anecdotal evidence suggests a strongly perceived link between bit rate and quality. This paper presents three audio quality listening experiments using the ITU MUSHRA methodology to assess a number of audio codecs typically used by streaming services. They were assessed for a range of bit rates using three presentation modes: consumer and studio quality headphones and loudspeakers. Our results indicate that with consumer quality headphones, listeners were not differentiating between codecs with bit rates greater than 48 kb/s (p>=0.228). For studio quality headphones and loudspeakers aac-lc at 128 kb/s and higher was differentiated over other codecs (p<=0.001). The results provide insights into quality of experience that will guide future development of objective audio quality metrics. Andrew Hines, Eoin Gillen, Damien Kelly, Jan Skoglund, Anil C. Kokaram, Naomi Harte |
ACM Multimedia | 2 |