Generative neural radiance fields (NeRF) bring image generation into the 3D era, which have delivered impressive generation quality and 3D consistency, especially in the face generation domain. Upon pre-trained generative NeRF, 3D-aware image editing has been explored and achieved promising performance via manipulating semantic maps or attributes. However, a more flexible editing interface, text, remains under-explored in the context of 3D-aware image editing. In this work, we leverage the Contrastive Language-Image Pre-training (CLIP) model to achieve 3D-aware image editing in pre-trained generative NeRF models given a target text prompt. To achieve accurate and controllable geometry editing, we propose MorphNeRF, a learnable morphing network that morphs the 3D geometry of images toward the target descriptions via generative NeRF. Different from prior studies that achieve image editing by manipulating latent codes or directly finetuning pre-trained models, morphing the geometry can better preserve the texture of the source image and facilitate the control of editing strength by adjusting the weight of morphing maps explicitly. Extensive experiments and comparisons show that the proposed MorphNeRF achieves superior image editing performance.

Pose-free neural radiance fields (NeRF) aim to train NeRF with unposed multi-view images and it has achieved very impressive success in recent years. Most existing works share the pipeline of training a coarse pose estimator with rendered images at first, followed by a joint optimization of estimated poses and neural radiance field. However, as the pose estimator is trained with only rendered images, the pose estimation is usually biased or inaccurate for real images due to the domain gap between real images and rendered images, leading to poor robustness for the pose estimation of real images and further local minima in joint optimization. We design IR-NeRF, an innovative pose-free NeRF that introduces implicit pose regularization to refine pose estimator with unposed real images and improve the robustness of the pose estimation for real images. With a collection of 2D images of a specific scene, IR-NeRF constructs a scene codebook that stores scene features and captures the scene-specific pose distribution implicitly as priors. Thus, the robustness of pose estimation can be promoted with the scene priors according to the rationale that a 2D real image can be well reconstructed from the scene codebook only when its estimated pose lies within the pose distribution. Extensive experiments show that IR-NeRF achieves superior novel view synthesis and outperforms the state-of-the-art consistently across multiple synthetic and real datasets.

As information exists in various modalities in real world, effective interaction and fusion among multimodal information plays a key role for the creation and perception of multimodal data in computer vision and deep learning research. With superb power in modeling the interaction among multimodal information, multimodal image synthesis and editing has become a hot research topic in recent years. Instead of providing explicit guidance for network training, multimodal guidance offers intuitive and flexible means for image synthesis and editing. On the other hand, this field is also facing several challenges in alignment of multimodal features, synthesis of high-resolution images, faithful evaluation metrics, etc. In this survey, we comprehensively contextualize the advance of the recent multimodal image synthesis and editing and formulate taxonomies according to data modalities and model types. We start with an introduction to different guidance modalities in image synthesis and editing, and then describe multimodal image synthesis and editing approaches extensively according to their model types. After that, we describe benchmark datasets and evaluation metrics as well as corresponding experimental results. Finally, we provide insights about the current research challenges and possible directions for future research.

Audio-driven talking face generation, which aims to synthesize talking faces with realistic facial animations (including accurate lip movements, vivid facial expression details and natural head poses) corresponding to the audio, has achieved rapid progress in recent years. However, most existing work focuses on generating lip movements only without handling the closely correlated facial expressions, which degrades the realism of the generated faces greatly. This paper presents DIRFA, a novel method that can generate talking faces with diverse yet realistic facial animations from the same driving audio. To accommodate fair variation of plausible facial animations for the same audio, we design a transformer-based probabilistic mapping network that can model the variational facial animation distribution conditioned upon the input audio and autoregressively convert the audio signals into a facial animation sequence. In addition, we introduce a temporally-biased mask into the mapping network, which allows to model the temporal dependency of facial animations and produce temporally smooth facial animation sequence. With the generated facial animation sequence and a source image, photo-realistic talking faces can be synthesized with a generic generation network. Extensive experiments show that DIRFA can generate talking faces with realistic facial animations effectively.

Facial expression editing has attracted increasing attention with the advance of deep neural networks in recent years. However, most existing methods suffer from compromised editing fidelity and limited usability as they either ignore pose variations (unrealistic editing) or require paired training data (not easy to collect) for pose controls. This paper presents POCE, an innovative pose-controllable expression editing network that can generate realistic facial expressions and head poses simultaneously with just unpaired training images. POCE achieves the more accessible and realistic pose-controllable expression editing by mapping face images into UV space, where facial expressions and head poses can be disentangled and edited separately. POCE has two novel designs. The first is self-supervised UV completion that allows to complete UV maps sampled under different head poses, which often suffer from self-occlusions and missing facial texture. The second is weakly-supervised UV editing that allows to generate new facial expressions with minimal modification of facial identity, where the synthesized expression could be controlled by either an expression label or directly transplanted from a reference UV map via feature transfer. Extensive experiments show that POCE can learn from unpaired face images effectively, and the learned model can generate realistic and high-fidelity facial expressions under various new poses.

Exemplar-based image translation establishes dense correspondences between a conditional input and an exemplar (from two different domains) for leveraging detailed exemplar styles to achieve realistic image translation. Existing work builds the cross-domain correspondences implicitly by minimizing feature- wise distances across the two domains. Without explicit exploitation of domain-invariant features, this approach may not reduce the domain gap effectively which often leads to sub-optimal correspon-dences and image translation. We design a Marginal Contrastive Learning Network (MCL-Net) that explores contrastive learning to learn domain-invariant features for realistic exemplar-based image translation. Specifically, we design an innovative marginal contrastive loss that guides to establish dense correspondences explicitly. Nevertheless, building correspondence with domain-invariant semantics alone may impair the texture patterns and lead to degraded texture generation. We thus design a Self-Correlation Map (SCM) that incorporates scene structures as auxiliary information which improves the built correspondences substantially. Quantitative and qualitative experiments on multifarious image translation tasks show that the proposed method outperforms the state-of-the-art consistently.

Perceiving the similarity between images has been a long-standing and fundamental problem underlying various visual generation tasks. Predominant approaches measure the inter-image distance by computing pointwise absolute deviations, which tends to estimate the median of instance distributions and leads to blurs and artifacts in the generated images. This paper presents MoNCE, a versatile metric that introduces image contrast to learn a calibrated metric for the perception of multifaceted inter-image distances. Unlike vanilla contrast which indiscriminately pushes negative samples from the anchor regardless of their similarity, we propose to re-weight the pushing force of negative samples adaptively according to their similarity to the anchor, which facilitates the contrastive learning from informative negative samples. Since multiple patch-level contrastive objectives are involved in image distance measurement, we introduce optimal transport in MoNCE to modulate the pushing force of negative samples collaboratively across multiple contrastive objectives. Extensive experiments over multiple image translation tasks show that the proposed MoNCE outperforms various prevailing metrics substantially. The code is available at MoNCE.

Leveraging StyleGAN's expressivity and its disentangled latent codes, existing methods can achieve realistic editing of different visual attributes such as age and gender of facial images. An intriguing yet challenging problem arises: Can generative models achieve counterfactual editing against their learnt priors? Due to the lack of counterfactual samples in natural datasets, we investigate this problem in a text-driven manner with Contrastive-Language-Image-Pretraining (CLIP), which can offer rich semantic knowledge even for various counterfactual concepts. Different from in-domain manipulation, counterfactual manipulation requires more comprehensive exploitation of semantic knowledge encapsulated in CLIP as well as more delicate handling of editing directions for avoiding being stuck in local minimum or undesired editing. To this end, we design a novel contrastive loss that exploits predefined CLIP-space directions to guide the editing toward desired directions from different perspectives. In addition, we design a simple yet effective scheme that explicitly maps CLIP embeddings (of target text) to the latent space and fuses them with latent codes for effective latent code optimization and accurate editing. Extensive experiments show that our design achieves accurate and realistic editing while driving by target texts with various counterfactual concepts.

Neural Radiance Fields (NeRF) has demonstrated very impressive performance in novel view synthesis via implicitly modelling 3D representations from multi-view 2D images. However, most existing studies train NeRF models with either reasonable camera pose initialization or manually-crafted camera pose distributions which are often unavailable or hard to acquire in various real-world data. We design VMRF, an innovative view matching NeRF that enables effective NeRF training without requiring prior knowledge in camera poses or camera pose distributions. VMRF introduces a view matching scheme, which exploits unbalanced optimal transport to produce a feature transport plan for mapping a rendered image with randomly initialized camera pose to the corresponding real image. With the feature transport plan as the guidance, a novel pose calibration technique is designed which rectifies the initially randomized camera poses by predicting relative pose transformations between the pair of rendered and real images. Extensive experiments over a number of synthetic and real datasets show that the proposed VMRF outperforms the state-of-the-art qualitatively and quantitatively by large margins.

Inferring the scene illumination from a single image is an essential yet challenging task in computer vision and computer graphics. Existing works estimate lighting by regressing representative illumination parameters or generating illumination maps directly. However, these methods often suffer from poor accuracy and generalization. This paper presents Geometric Mover's Light (GMLight), a lighting estimation framework that employs a regression network and a generative projector for effective illumination estimation. We parameterize illumination scenes in terms of the geometric light distribution, light intensity, ambient term, and auxiliary depth, which can be estimated by a regression network. Inspired by the earth mover's distance, we design a novel geometric mover's loss to guide the accurate regression of light distribution parameters. With the estimated light parameters, the generative projector synthesizes panoramic illumination maps with realistic appearance and high-frequency details. Extensive experiments show that GMLight achieves accurate illumination estimation and superior fidelity in relighting for 3D object insertion. The codes are available at https://github.com/fnzhan/Illumination-Estimation.

Image inpainting is an underdetermined inverse problem, which naturally allows diverse contents to fill up the missing or corrupted regions realistically. Prevalent approaches using convolutional neural networks (CNNs) can synthesize visually pleasant contents, but CNNs suffer from limited perception fields for capturing global features. With image-level attention, transformers enable to model long-range dependencies and generate diverse contents with autoregressive modeling of pixel-sequence distributions. However, the unidirectional attention in autoregressive transformers is suboptimal as corrupted image regions may have arbitrary shapes with contexts from any direction. We propose BAT-Fill, an innovative image inpainting framework that introduces a novel bidirectional autoregressive transformer (BAT) for image inpainting. BAT utilizes the transformers to learn autoregressive distributions, which naturally allows the diverse generation of missing contents. In addition, it incorporates the masked language model like BERT, which enables bidirectionally modeling of contextual information of missing regions for better image completion. Extensive experiments over multiple datasets show that BAT-Fill achieves superior diversity and fidelity in image inpainting qualitatively and quantitatively.

The human visual system can detect objects of unseen categories from merely a few examples. However, such capability remains absent in state-of-the-art detectors. To bridge this gap, several attempts have been proposed to perform few-shot detection by incorporating meta-learning techniques. Such methods can improve detection performance on unseen categories, but also add huge computational burden, and usually degrade detection performance on seen categories. In this paper, we present PNPDet, a novel Plug-and-Play Detector, for efficient few-shot detection without forgetting. It introduces a simple but effective architecture with separate sub-networks that disentangles the recognition of base and novel categories and prevents hurting performance on known categories while learning new concepts. Distance metric learning is further incorporated into sub-networks, consistently boosting detection performance for both base and novel categories. Experiments show that the proposed PNPDet can achieve comparable few-shot detection performance on unseen categories while not losing accuracy on seen categories, and also remain efficient and flexible at the same time.

Recent advances in Generative Adversarial Nets (GANs) have shown remarkable improvements for facial expression editing. However, current methods are still prone to generate artifacts and blurs around expression-intensive regions, and often introduce undesired overlapping artifacts while handling large-gap expression transformations such as transformation from furious to laughing. To address these limitations, we propose Cascade Expression Focal GAN (Cascade EF-GAN), a novel network that performs progressive facial expression editing with local expression focuses. The introduction of the local focus enables the Cascade EF-GAN to better preserve identity-related features and details around eyes, noses and mouths, which further helps reduce artifacts and blurs within the generated facial images. In addition, an innovative cascade transformation strategy is designed by dividing a large facial expression transformation into multiple small ones in cascade, which helps suppress overlapping artifacts and produce more realistic editing while dealing with large-gap expression transformations. Extensive experiments over two publicly available facial expression datasets show that our proposed Cascade EF-GAN achieves superior performance for facial expression editing.

Sphingosine 1-phosphate (S1P) is a lysophospholipid mediator which activates G protein-coupled sphingosine 1-phosphate receptors and thus evokes a variety of cell and tissue responses including lymphocyte trafficking, endothelial development, integrity, and maturation. We performed five all-atom 700 ns molecular dynamics simulations of the sphingosine 1-phosphate receptor 1 (S1P₁) based on recently released crystal structure of that receptor with an antagonist. We found that the initial movements of amino acid residues occurred in the area of highly conserved W269⁶·⁴⁸ in TM6 which is close to the ligand binding location. Those residues located in the central part of the receptor and adjacent to kinks of TM helices comprise of a transmission switch. Side chains movements of those residues were coupled to the movements of water molecules inside the receptor which helped in the gradual opening of intracellular part of the receptor. The most stable parts of the protein were helices TM1 and TM2, while the largest movement was observed for TM7, possibly due to the short intracellular part starting with a helix kink at P⁷·⁵⁰, which might be the first helix to move at the intracellular side. We show for the first time the detailed view of the concerted action of the transmission switch and Trp (W⁶·⁴⁸) rotamer toggle switch leading to redirection of water molecules flow in the central part of the receptor. That event is a prerequisite for subsequent changes in intracellular part of the receptor involving water influx and opening of the receptor structure.