Fugatto is a versatile audio synthesis and transformation model capable of following free-form text instructions with optional audio inputs. While large language models (LLMs) trained with text on a simple next-token prediction objective can learn to infer instructions directly from the data, models trained solely on audio data lack this capacity. This is because audio data does not inherently contain the instructions that were used to generate it. To overcome this challenge, we introduce a specialized dataset generation approach optimized for producing a wide range of audio generation and transformation tasks, ensuring the data reveals meaningful relationships between audio and language. Another challenge lies in achieving compositional abilities -- such as combining, interpolating between, or negating instructions -- using data alone. To address it, we propose ComposableART, an inference-time technique that extends classifier-free guidance to compositional guidance. It enables the seamless and flexible composition of instructions, leading to highly customizable audio outputs outside the training distribution. Our evaluations across a diverse set of tasks demonstrate that Fugatto performs competitively with specialized models, while ComposableART enhances its sonic palette and control over synthesis. Most notably, we highlight our framework's ability to execute emergent sounds and tasks -- sonic phenomena that transcend conventional audio generation -- unlocking new creative possibilities. \href{https://fugatto.github.io/}{Demo Website.}

We study the problem of symbolic music generation (e.g., generating piano rolls), with a technical focus on non-differentiable rule guidance. Musical rules are often expressed in symbolic form on note characteristics, such as note density or chord progression, many of which are non-differentiable which pose a challenge when using them for guided diffusion. We propose Stochastic Control Guidance (SCG), a novel guidance method that only requires forward evaluation of rule functions that can work with pre-trained diffusion models in a plug-and-play way, thus achieving training-free guidance for non-differentiable rules for the first time. Additionally, we introduce a latent diffusion architecture for symbolic music generation with high time resolution, which can be composed with SCG in a plug-and-play fashion. Compared to standard strong baselines in symbolic music generation, this framework demonstrates marked advancements in music quality and rule-based controllability, outperforming current state-of-the-art generators in a variety of settings. For detailed demonstrations, code and model checkpoints, please visit our [project website](https://scg-rule-guided-music.github.io/).

Singing Voice Synthesis (SVS) has significantly advanced with deep generative models, achieving high audio quality but still struggling with musicality, mainly due to the lack of performance control over timing, dynamics, and pitch, which are essential for music expression. Additionally, integrating data and supporting diverse languages and styles in SVS remain challenging. To tackle these issues, this paper presents ExpressiveSinger, an SVS framework that leverages a cascade of diffusion models to generate realistic singing across multiple languages, styles, and techniques from scores and lyrics. Our approach begins with consolidating, cleaning, annotating, and processing public singing datasets, developing a multilingual phoneme set, and incorporating different musical styles and techniques. We then design methods for generating expressive performance control signals including phoneme timing, F0 curves, and amplitude envelopes, which enhance musicality and model consistency, introduce more controllability, and reduce data requirements. Finally, we generate mel-spectrograms and audio from performance control signals with style guidance and singer timbre embedding. Our models also enable trained singers to sing in new languages and styles. Several listening tests reveal both musicality and controllability of our generated singing compared with existing works and human singing. We release the data for future research. Demo: https://shuqid.net/expressive-singing-synthesis.

Animating portraits using speech has received growing attention in recent years, with various creative and practical use cases. An ideal generated video should have good lip sync with the audio, natural facial expressions and head motions, and high frame quality. In this work, we present SPACE, which uses speech and a single image to generate high-resolution, and expressive videos with realistic head pose, without requiring a driving video. It uses a multi-stage approach, combining the controllability of facial landmarks with the high-quality synthesis power of a pretrained face generator. SPACE also allows for the control of emotions and their intensities. Our method outperforms prior methods in objective metrics for image quality and facial motions and is strongly preferred by users in pair-wise comparisons. Please visit the project page to view the videos and to see more results: https://research.nvidia.com/labs/dir/space/.

Audio classification has seen great progress with the increasing availability of large-scale datasets. These large datasets, however, are often only partially labeled as collecting full annotations is a tedious and expensive process. This paper presents two semi-supervised methods capable of learning with missing labels and evaluates them on two publicly available, partially labeled datasets. The first method relies on label enhancement by a two-stage teacher-student learning process, while the second method utilizes the mean teacher semi-supervised learning algorithm. Our results demonstrate the impact of improperly handling missing labels and compare the benefits of using different strategies leveraging data with few labels. Methods capable of learning with partially labeled data have the potential to improve models for audio classification by utilizing even larger amounts of data without the need for complete annotations.