This paper examines the influence of recommender systems on local music representation, discussing prior findings from an empirical study on the LFM-2b public dataset 1. This prior study argued that different recommender systems exhibit algorithmic biases shifting music consumption either towards or against local content. However, LFM-2b users do not reflect the diverse audience of music streaming services. To assess the robustness of this study’s conclusions, we conduct a comparative analysis using proprietary listening data from a global music streaming service, which we publicly release alongside this paper. We observe significant differences in local music consumption patterns between our dataset and LFM-2b, suggesting that caution should be exercised when drawing conclusions on local music based solely on LFM-2b. Moreover, we show that the algorithmic biases exhibited in the original work vary in our dataset, and that several unexplored model parameters can significantly influence these biases and affect the study’s conclusion on both datasets. Finally, we discuss the complexity of accurately labeling local music, emphasizing the risk of misleading conclusions due to unreliable, biased, or incomplete labels. To encourage further research and ensure reproducibility, we have publicly shared our dataset and code.

Music streaming services often leverage sequential recommender systems to predict the best music to showcase to users based on past sequences of listening sessions. Nonetheless, most sequential recommendation methods ignore or insufficiently account for repetitive behaviors. This is a crucial limitation for music recommendation, as repeatedly listening to the same song over time is a common phenomenon that can even change the way users perceive this song. In this paper, we introduce PISA (Psychology-Informed Session embedding using ACT-R), a session-level sequential recommender system that overcomes this limitation. PISA employs a Transformer architecture learning embedding representations of listening sessions and users using attention mechanisms inspired by Anderson’s ACT-R (Adaptive Control of Thought-Rational), a cognitive architecture modeling human information access and memory dynamics. This approach enables us to capture dynamic and repetitive patterns from user behaviors, allowing us to effectively predict the songs they will listen to in subsequent sessions, whether they are repeated or new ones. We demonstrate the empirical relevance of PISA using both publicly available listening data from Last.fm and proprietary data from Deezer, a global music streaming service, confirming the critical importance of repetition modeling for sequential listening session recommendation. Along with this paper, we publicly release our proprietary dataset to foster future research in this field, as well as the source code of PISA to facilitate its future use.

This paper introduces Track Mix, a personalized playlist generation system released in 2022 on the music streaming service Deezer. Track Mix automatically generates “mix” playlists inspired by initial music tracks, allowing users to discover music similar to their favorite content. To generate these mixes, we consider a Transformer model trained on millions of track sequences from user playlists. In light of the growing popularity of Transformers in recent years, we analyze the advantages, drawbacks, and technical challenges of using such a model for mix generation on the service, compared to a more traditional collaborative filtering approach. Since its release, Track Mix has been generating playlists for millions of users daily, enhancing their music discovery experience on Deezer.

A prevalent practice in recommender systems consists of averaging item embeddings to represent users or higher-level concepts in the same embedding space. This paper investigates the relevance of such a practice. For this purpose, we propose an expected precision score, designed to measure the consistency of an average embedding relative to the items used for its construction. We subsequently analyze the mathematical expression of this score in a theoretical setting with specific assumptions, as well as its empirical behavior on real-world data from music streaming services. Our results emphasize that real-world averages are less consistent for recommendation, which paves the way for future research to better align real-world embeddings with assumptions from our theoretical setting.

Music streaming services often aim to recommend songs for users to extend the playlists they have created on these services. However, extending playlists while preserving their musical characteristics and matching user preferences remains a challenging task, commonly referred to as Automatic Playlist Continuation (APC). Besides, while these services often need to select the best songs to recommend in real-time and among large catalogs with millions of candidates, recent research on APC mainly focused on models with few scalability guarantees and evaluated on relatively small datasets. In this paper, we introduce a general framework to build scalable yet effective APC models for large-scale applications. Based on a represent-then-aggregate strategy, it ensures scalability by design while remaining flexible enough to incorporate a wide range of representation learning and sequence modeling techniques, e.g., based on Transformers. We demonstrate the relevance of this framework through in-depth experimental validation on Spotify's Million Playlist Dataset (MPD), the largest public dataset for APC. We also describe how, in 2022, we successfully leveraged this framework to improve APC in production on Deezer. We report results from a large-scale online A/B test on this service, emphasizing the practical impact of our approach in such a real-world application.

Transformers emerged as powerful methods for sequential recommendation. However, existing architectures often overlook the complex dependencies between user preferences and the temporal context. In this short paper, we introduce MOJITO, an improved Transformer sequential recommender system that addresses this limitation. MOJITO leverages Gaussian mixtures of attention-based temporal context and item embedding representations for sequential modeling. Such an approach permits to accurately predict which items should be recommended next to users depending on past actions and the temporal context. We demonstrate the relevance of our approach, by empirically outperforming existing Transformers for sequential recommendation on several real-world datasets.

The music streaming service Deezer extensively relies on its Flow algorithm, which generates personalized radio-style playlists of songs, to help users discover musical content. Nonetheless, despite promising results over the past years, Flow used to ignore the moods of users when providing recommendations. In this paper, we present Flow Moods, an improved version of Flow that addresses this limitation. Flow Moods leverages collaborative filtering, audio content analysis, and mood annotations from professional music curators to generate personalized mood-specific playlists at scale. We detail the motivations, the development, and the deployment of this system on Deezer. Since its release in 2021, Flow Moods has been recommending music by moods to millions of users every day.

Music streaming services heavily rely on recommender systems to improve their users' experience, by helping them navigate through a large musical catalog and discover new songs, albums or artists. However, recommending relevant and personalized content to new users, with few to no interactions with the catalog, is challenging. This is commonly referred to as the user cold start problem. In this applied paper, we present the system recently deployed on the music streaming service Deezer to address this problem. The solution leverages a semi-personalized recommendation strategy, based on a deep neural network architecture and on a clustering of users from heterogeneous sources of information. We extensively show the practical impact of this system and its effectiveness at predicting the future musical preferences of cold start users on Deezer, through both offline and online large-scale experiments. Besides, we publicly release our code as well as anonymized usage data from our experiments. We hope that this release of industrial resources will benefit future research on user cold start recommendation.

On an artist’s profile page, music streaming services frequently recommend a ranked list of ”similar artists” that fans also liked. However, implementing such a feature is challenging for new artists, for which usage data on the service (e.g. streams or likes) is not yet available. In this paper, we model this cold start similar artists ranking problem as a link prediction task in a directed and attributed graph, connecting artists to their top-k most similar neighbors and incorporating side musical information. Then, we leverage a graph autoencoder architecture to learn node embedding representations from this graph, and to automatically rank the top-k most similar neighbors of new artists using a gravity-inspired mechanism. We empirically show the flexibility and the effectiveness of our framework, by addressing a real-world cold start similar artists ranking problem on a global music streaming service. Along with this paper, we also publicly release our source code and the industrial data from our experiments.

Collaborative Metric Learning (CML) recently emerged as a powerful paradigm for recommendation based on implicit feedback collaborative filtering. However, standard CML methods learn fixed user and item representations, which fails to capture the complex interests of users. Existing extensions of CML also either ignore the heterogeneity of user-item relations, i.e. that a user can simultaneously like very different items, or the latent item-item relations, i.e. that a user’s preference for an item depends, not only on its intrinsic characteristics, but also on items they previously interacted with. In this paper, we present a hierarchical CML model that jointly captures latent user-item and item-item relations from implicit data. Our approach is inspired by translation mechanisms from knowledge graph embedding and leverages memory-based attention networks. We empirically show the relevance of this joint relational modeling, by outperforming existing CML models on recommendation tasks on several real-world datasets. Our experiments also emphasize the limits of current CML relational models on very sparse datasets.

Media services providers, such as music streaming platforms, frequently leverage swipeable carousels to recommend personalized content to their users. However, selecting the most relevant items (albums, artists, playlists...) to display in these carousels is a challenging task, as items are numerous and as users have different preferences. In this paper, we model carousel personalization as a contextual multi-armed bandit problem with multiple plays, stochastic arm display and delayed batch feedback. We empirically show the effectiveness of our framework at capturing characteristics of real-world carousels by addressing a large-scale playlist recommendation task on a global music streaming mobile app. Along with this paper, we publicly release industrial data from our experiments, as well as an open-source environment to simulate comparable carousel personalization learning problems.

Graph autoencoders (AE) and variational autoencoders (VAE) recently emerged as powerful node embedding methods. In particular, graph AE and VAE were successfully leveraged to tackle the challenging link prediction problem, aiming at figuring out whether some pairs of nodes from a graph are connected by unobserved edges. However, these models focus on undirected graphs and therefore ignore the potential direction of the link, which is limiting for numerous real-life applications. In this paper, we extend the graph AE and VAE frameworks to address link prediction in directed graphs. We present a new gravity-inspired decoder scheme that can effectively reconstruct directed graphs from a node embedding. We empirically evaluate our method on three different directed link prediction tasks, for which standard graph AE and VAE perform poorly. We achieve competitive results on three real-world graphs, outperforming several popular baselines.

This paper examines the problem of adaptive influence maximization in social networks. As adaptive decision making is a time-critical task, a realistic feedback model has been considered, called myopic. In this direction, we propose the myopic adaptive greedy policy that is guaranteed to provide a (1 - 1/e) -approximation of the optimal policy under a variant of the independent cascade diffusion model. This strategy maximizes an alternative utility function that has been proven to be adaptive monotone and adaptive submodular. The proposed utility function considers the cumulative number of active nodes through the time, instead of the total number of the active nodes at the end of the diffusion. Our empirical analysis on real-world social networks reveals the benefits of the proposed myopic strategy, validating our theoretical results.