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Tatsuya Sakaeda

dblp:228/1324 · DBLP profile ↗
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1ranked-venue papers
0as first author
0since 2021 · last 2018
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Image and video coding · 77% Multimedia analysis and retrieval · 23%
Artificial intelligence
1 paper
Image recognition and object detection · 100%

Topics — the 2 heaviest of 3, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Image and video coding › image quality assessment
image aesthetics assessment
0.312018
PoB: Toward Reasoning Patterns of Beauty in Image Data · ACM Multimedia 2018
Multimedia analysis and retrieval › image analysis
image understanding
0.112018
PoB: Toward Reasoning Patterns of Beauty in Image Data · ACM Multimedia 2018

Methods — techniques the papers use, named apart from their topics

deep learning · 0.7
YearPublicationVenuePosition
2018 PoB: Toward Reasoning Patterns of Beauty in Image Data
abstract
Aiming to develop of computational grammar system for visual information, we design a 4-tier framework that consists of four levels of 'visual grammar of images.' As a first step of realization, we propose a new dataset, named the PoB dataset, in which each image is annotated with multiple labels of armature patterns that compose the pictorial scene. The PoB dataset includes of a 10,000-painting dataset for art and a 4,959-image dataset for photography. In this paper, we discuss the consistency analysis of our dataset and its applicability. We also demonstrate how the armature patterns in the PoB dataset are useful in assessing aesthetic quality of images, and how well a deep learning algorithm can recognize these patterns. This paper seeks to set a new direction in image understanding with a more holistic approach beyond discrete objects and in aesthetic reasoning with a more interpretative way.
Diep Thi Ngoc Nguyen, Hideki Nakayama, Naoaki Okazaki, Tatsuya Sakaeda
ACM Multimedia4