Demo Data from VLDB 2026 / reviewers in the wild / expert
Noa Glaser
dblp:236/5106
· DBLP profile ↗
1ranked-venue papers
0as first author
1since 2021 · last 2023
0009-0004-8865-4590ORCID · reported
Domains — the database's venue-derived domains; a paper can count in several
Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 since 2021
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Computational photography and imaging · 50% Image and video processing · 50% |
Topics — the 4 heaviest of 4, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Computational photography and imaging › image acquisition
burst photography |
0.7 | 1 | 2023 | Computational Long Exposure Mobile Photography · ACM Trans. Graph. 2023 |
Image and video processing
motion blur synthesis |
0.7 | 1 | 2023 | Computational Long Exposure Mobile Photography · ACM Trans. Graph. 2023 |
Computational photography and imaging
high dynamic range imaging |
0.2 | 1 | 2023 | Computational Long Exposure Mobile Photography · ACM Trans. Graph. 2023 |
Image and video processing
image segmentation |
0.2 | 1 | 2023 | Computational Long Exposure Mobile Photography · ACM Trans. Graph. 2023 |
Methods — techniques the papers use, named apart from their topics
salient subject segmentation · 0.7inter-frame motion prediction · 0.7image alignment · 0.7compositing · 0.7
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2023 | Computational Long Exposure Mobile PhotographyabstractLong exposure photography produces stunning imagery, representing moving elements in a scene with motion-blur. It is generally employed in two modalities, producing either a foreground or a background blur effect. Foreground blur images are traditionally captured on a tripod-mounted camera and portray blurred moving foreground elements, such as silky water or light trails, over a perfectly sharp background landscape. Background blur images, also called panning photography, are captured while the camera is tracking a moving subject, to produce an image of a sharp subject over a background blurred by relative motion. Both techniques are notoriously challenging and require additional equipment and advanced skills. In this paper, we describe a computational burst photography system that operates in a hand-held smartphone camera app, and achieves these effects fully automatically, at the tap of the shutter button. Our approach first detects and segments the salient subject. We track the scene motion over multiple frames and align the images in order to preserve desired sharpness and to produce aesthetically pleasing motion streaks. We capture an under-exposed burst and select the subset of input frames that will produce blur trails of controlled length, regardless of scene or camera motion velocity. We predict inter-frame motion and synthesize motion-blur to fill the temporal gaps between the input frames. Finally, we composite the blurred image with the sharp regular exposure to protect the sharpness of faces or areas of the scene that are barely moving, and produce a final high resolution and high dynamic range (HDR) photograph. Our system democratizes a capability previously reserved to professionals, and makes this creative style accessible to most casual photographers. Eric Tabellion, Nikhil Karnad, Noa Glaser, Ben Weiss, David E. Jacobs, Yael Pritch |
ACM Trans. Graph. | 3 |