Ian Anderson 0003

dblp:239/5159 · DBLP profile ↗
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5ranked-venue papers
0as first author
3since 2021 · last 2025
0000-0002-8308-497XORCID · verified

Domains — the database's venue-derived domains; a paper can count in several

Databases, data management, data science and information retrieval · 5 · 3 since 2021Applied, interdisciplinary, general and emerging computing · 3 · 1 since 2021Human-computer interaction and ubiquitous computing · 2 · 1 since 2021Artificial intelligence and machine learning · 1 · 1 since 2021
YearPublicationVenuePosition
2025 Generalized User Representations for Large-Scale Recommendations and Downstream Tasks
Ghazal Fazelnia, Sanket Gupta, Claire Keum, Mark Koh, Timothy Christopher Heath, Guillermo Carrasco Hernández, Stephen Xie, Nandini Singh, Ian Anderson 0003, Maya Hristakeva, Petter Pehrson Skidén, Mounia Lalmas-Roelleke
RecSys9
2022 Time after Time: Longitudinal Trends in Nostalgic Listening
Clara Hanson, Jesse Anderton, Samuel F. Way, Ian Anderson 0003, Scott Wolf, Alice Wang 0001
ICWSM4
2022 Variational User Modeling with Slow and Fast Features
abstract
Recommender systems play a key role in helping users find their favorite music to play among an often extremely large catalog of items on online streaming services. To correctly identify users' interests, recommendation algorithms rely on past user behavior and feedback to aim at learning users' preferences through the logged interactions. User modeling is a fundamental part of this large-scale system as it enables the model to learn an optimal representation for each user. For instance, in music recommendation, the focus of this paper, users' interests at any time is shaped by their general preferences for music as well as their recent or momentary interests in a particular type of music. In this paper, we present a novel approach for learning user representation based on general and slow-changing user interests as well as fast-moving current preferences. We propose a variational autoencoder-based model that takes fast and slow-moving features and learns an optimal user representation. Our model, which we call FS-VAE, consists of sequential and non-sequential encoders to capture patterns in user-item interactions and learn users' representations. We evaluate FS-VAE on a real-world music streaming dataset. Our experimental results show a clear improvement in learning optimal representations compared to state-of-the-art baselines on the next item recommendation task. We also demonstrate how each of the model components, slow input feature, and fast ones play a role in achieving the best results in next item prediction and learning users' representations.
Ghazal Fazelnia, Eric Simon, Ian Anderson 0003, Ben Carterette, Mounia Lalmas-Roelleke
WSDM3
2020 Algorithmic Effects on the Diversity of Consumption on Spotify
abstract
On many online platforms, users can engage with millions of pieces of content, which they discover either organically or through algorithmically-generated recommendations. While the short-term benefits of recommender systems are well-known, their long-term impacts are less well understood. In this work, we study the user experience on Spotify, a popular music streaming service, through the lens of diversity—the coherence of the set of songs a user listens to. We use a high-fidelity embedding of millions of songs based on listening behavior on Spotify to quantify how musically diverse every user is, and find that high consumption diversity is strongly associated with important long-term user metrics, such as conversion and retention. However, we also find that algorithmically-driven listening through recommendations is associated with reduced consumption diversity. Furthermore, we observe that when users become more diverse in their listening over time, they do so by shifting away from algorithmic consumption and increasing their organic consumption. Finally, we deploy a randomized experiment and show that algorithmic recommendations are more effective for users with lower diversity. Our work illuminates a central tension in online platforms: how do we recommend content that users are likely to enjoy in the short term while simultaneously ensuring they can remain diverse in their consumption in the long term?
Ashton Anderson, Lucas Maystre, Ian Anderson 0003, Rishabh Mehrotra, Mounia Lalmas-Roelleke
WWW3
2019 Environmental Changes and the Dynamics of Musical Identity
Samuel F. Way, Ian Anderson 0003, Aaron Clauset
ICWSM3