We address the problem of speech denoising where the goal is to extract clean speech signal from a noisy signal. Traditionally, the task of denoising has been performed using audio modality only. However, human speech perception is inherently multimodal where cues from visual modality are used to understand the speech better in a noisy environment. Similar observation has been made with computational denoising methods, i.e., performance of audio only model improves after adding visual modality. Inspired by these findings we propose a novel audio-visual network for adaptively combining both modalities for the task of speech audio denoising. We show that extracting noise from mixed audio and using it as a conditioning signal, improves speech denoising performance. To estimate the noise, we use both audio and visual modalities, i.e., lip region of the speaker, to extract the non-speech/silent regions from it. The silent regions enable us to estimate better noise profile to eliminate from the signal. Our proposed network uses self and cross attention framework between audio and video features, along the temporal dimension, to model correlations between the two modalities. We evaluate the proposed approach on a large scale audio-visual dataset VoxCeleb2 and obtain state-of-the-art results. We also demonstrate generalization to unseen speakers at test time.

We present a validation dataset of newly-collected kitchen-based egocentric videos, manually annotated with highly detailed and interconnected ground-truth labels covering: recipe steps, fine-grained actions, ingredients with nutritional values, moving objects, and audio annotations. Importantly, all annotations are grounded in 3D through digital twinning of the scene, fixtures, object locations, and primed with gaze. Footage is collected from unscripted recordings in diverse home environments, making HD-EPIC the first dataset collected in-the-wild but with detailed annotations matching those in controlled lab environments.We show the potential of our highly-detailed annotations through a challenging VQA benchmark of 26K questions assessing the capability to recognise recipes, ingredients, nutrition, fine-grained actions, 3D perception, object motion, and gaze direction. The powerful long-context Gemini Pro only achieves 37.6% on this benchmark, showcasing its difficulty and highlighting shortcomings in current VLMs. We additionally assess action recognition, sound recognition, and long-term video-object segmentation on HD-EPIC.HD-EPIC is 41 hours of video in 9 kitchens with digital twins of 413 kitchen fixtures, capturing 69 recipes, 59K fine-grained actions, 51K audio events, 20K object movements and 37K object masks lifted to 3D. On average, we have 263 annotations per minute of our unscripted videos.

Binaural audio gives the listener an immersive experience and can enhance augmented and virtual reality. However, recording binaural audio requires specialized setup with a dummy human head having microphones in left and right ears. Such a recording setup is difficult to build and setup, therefore mono audio has become the preferred choice in common devices. To obtain the same impact as binaural audio, recent efforts have been directed towards lifting mono audio to binaural audio conditioned on the visual input from the scene. Such approaches have not used an important cue for the task: the distance of different sound producing objects from the microphones. In this work, we argue that depth map of the scene can act as a proxy for inducing distance information of different objects in the scene, for the task of audio binauralization. We propose a novel encoder-decoder architecture with a hierarchical attention mechanism to encode image, depth and audio feature jointly. We design the network on top of state-of-the-art transformer networks for image and depth representation. We show empirically that the proposed method outperforms state-of-the-art methods comfortably for two challenging public datasets FAIR-Play and MUSIC-Sereo. We also demonstrate with qualitative results that the method is able to focus on the right information required for the task. The qualitative results are available at our project page https://krantiparida.github.io/projects/bmonobinaural.html

We address the problem of estimating depth with multi modal audio visual data. Inspired by the ability of animals, such as bats and dolphins, to infer distance of objects with echolocation, some recent methods have utilized echoes for depth estimation. We propose an end-to-end deep learning based pipeline utilizing RGB images, binaural echoes and estimated material properties of various objects within a scene. We argue that the relation between image, echoes and depth, for different scene elements, is greatly influenced by the properties of those elements, and a method designed to leverage this information can lead to significantly improved depth estimation from audio visual inputs. We propose a novel multi modal fusion technique, which incorporates the material properties explicitly while combining audio (echoes) and visual modalities to predict the scene depth. We show empirically, with experiments on Replica dataset, that the proposed method obtains 28% improvement in RMSE compared to the state-of-the-art audio-visual depth prediction method. To demonstrate the effectiveness of our method on larger dataset, we report competitive performance on Matterport3D, proposing to use it as a multimodal depth prediction benchmark with echoes for the first time. We also analyse the proposed method with exhaustive ablation experiments and qualitative results. The code and models are available at https://krantiparida.github.io/projects/bimgdepth.html

In this paper, we propose a novel approach for generalized zero-shot learning in a multi-modal setting, where we have novel classes ofaudio/video during testing that are not seen during training. We use the semantic relatedness oftext embeddings as a means for zero-shot learning by aligning audio and video embeddings with the corresponding class label text feature space. Our approach uses a cross-modal decoder and a composite triplet loss. The cross-modal decoder enforces a constraint that the class label text features can be reconstructed from the audio and video embeddings of data points. This helps the audio and video embeddings to move closer to the class label text embedding. The composite triplet loss makes use of the audio, video, and text embeddings. It helps bring the embeddings from the same class closer and push away the embeddings from different classes in a multi-modal setting. This helps the network to perform better on the multi-modal zero-shot learning task. Importantly, our multi-modal zero-shot learning approach works even if a modality is missing at test time. We test our approach on the generalized zero-shot classification and retrieval tasks and show that our approach outperforms other models in the presence of a single modality as well as in the presence of multiple modalities. We validate our approach by comparing it with previous approaches and using various ablations.

We present an audio-visual multimodal approach for the task of zero-shot learning (ZSL) for classification and retrieval of videos. ZSL has been studied extensively in the recent past but has primarily been limited to visual modality and to images. We demonstrate that both audio and visual modalities are important for ZSL for videos. Since a dataset to study the task is currently not available, we also construct an appropriate multimodal dataset with 33 classes containing 156, 416 videos, from an existing large scale audio event dataset. We empirically show that the performance improves by adding audio modality for both tasks of zero-shot classification and retrieval, when using multi-modal extensions of embedding learning methods. We also propose a novel method to predict the `dominant' modality using a jointly learned modality attention network. We learn the attention in a semi-supervised setting and thus do not require any additional explicit labelling for the modalities. We provide qualitative validation of the modality specific attention, which also successfully generalizes to unseen test classes.