Energy limiting conditions (ELC), such as long COVID and ME/CFS, require the careful monitoring and pacing of activity and rest to avoid over-exertion. Commercially available fitness tracking technologies are currently being “misused” to manage these conditions. Based on co-design research with people with ELC, we conducted a research-through-design process to ideate upon what ELC pacing technologies could be. Our ongoing design process is informed by crip theories that highlight the social and political, rather than medical, aspects of disability and chronic conditions. In an attempt to offer non-medicalising pacing technologies, we explored integrating bronze casting as a jewelry making technique within the prototyping process. We also explore how we can present quantitative pacing data gathered from wearable sensors through felt vibrations on the body in a way that can be therapeutic and allow for the user to calibrate the quantitative data with their own felt sense of fatigue.

Jewellers’ participation in interaction design is scarce, yet the creativity of jewellers could add value as they interpret materials and mediate personal connections in poetic ways. We investigate how to empower jewellers to experiment with the possibilities that physical computing offers to their practice. This paper presents the making of a Digital Jewellery Kit, a composite of pre-assembled circuitry, used by second-year BA jewellery students during a 10-week project which brought together theory and practice. Drawing on students’ reflective accounts, we discuss what made the jewellers’ path into physical computing more meaningful to their practice, what type of artefacts they created with electronics as well as what values drove their creative process. We offer design recommendations on how to support the praxes of jewellers whilst allowing their creativity to grow through their new understanding of physical computing and contribute to the discussions around hybrid craft within HCI and educational contexts.

In a process of Research-through-Design two art digital jewellery pieces were created on the same bespoke IoT device that connects a person with the sea: a hand-held piece (SeaVessel) and a necklace (Thalassa). Drawing on the notion of atmosphere, the design development (2020-21) and the first author's lived experience with the pieces (2021-2022) are illustrated and narrated. We share insights into how the pieces augmented intimacy with a significant place and offer a space for self-reflection for the first author to explore their connection with the sea and ultimately the self. We offer insights gained from working with IoT, live data and online servers in such a poetic context. We contribute to experiential approaches to designing reflective and curious ways of interacting with digital technology with the notion of atmosphere as a concept for aesthetics for interaction design and an understanding of data as poetic data.

We describe three design works from a research through design project seeking to develop new ways to curate and create digital media to support ongoingness - a form of continuing bonds in bereavement that prioritises the present and an ongoing, positive relationship with the deceased. We use the three pieces in this paper as lenses to view how dialogic potential is at play within each piece - drawing on aspects of dialogism, a Bakhtinian theory, to do so. Our aim is that by sharing the work and blending the particular theoretical perspective of dialogism with experiential and design aspects of the pieces we offer up a rich design space and new ways to conceive of design and digital technologies in the context of bereavement and death.

We introduce the term 'Art Digital Jewellery' as a label for craft-oriented, bespoke approaches to embedding electronics in jewellery. These unconventional digital-physical jewellery practices struggle for attention compared with higher profile, often more mass-production oriented wearables. This is partly because discourses articulating and critiquing these experimental practices are scarce and obscure to HCI researchers. To address this, we describe how these artistic practices arose from earlier fashion movements and we engaged six leading creative practitioners in a structured and iterative dialogue. Analysis of our adapted Delphi survey suggests that core to Art Digital Jewellery is very individualised design processes and creating artefacts which are highly personal in terms of their form, their materials, their narratives and their interactivity. An appreciation of these unique practices may enrich perspectives on designing wearables, marrying craft with technology, and personalisation of experiences.

In this paper, we present a method of Dialogical Sketching. We introduce the development of this method as a discursive aid to understanding design probe responses within participatory co-design engagements but also articulate its potential more broadly within participatory research. Situated within a research study into the potential of digital jewellery to support self, we focus on how sketching can elucidate reflection on layers of meaning conveyed both explicitly and implicitly in participants' probe responses. The method enabled an iterative dialogue not bound by certainty, but more by inference, interpretation and suggested meanings. Systems of sketching scaffolded conversations about personal issues and feelings that were difficult to articulate in a way that was imaginative, rather than descriptive. We argue that the method firstly enriches the potential of probes, secondly encourages discourse in open and often uncertain ways and thirdly can enable sustained participatory engagement even through challenging circumstances.

We describe the design and use of ReFind, a handheld artefact made for people who are bereaved and are ready to re-explore their relationship to the deceased person. ReFind was made within a project seeking to develop new ways to curate and create digital media to support ongoingness - an active, dynamic component of continuing bonds. We draw on bereavement theory and care championing practices that enable a continued sense of connection between someone bereaved and a person who has died. We present the design development of ReFind and the lived experience of the piece by the first author. We discuss our wider methodology which includes autobiographical design and reflections on if and how the piece supported ongoing connections, the challenges faced, and insights gained.