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Shenzhou Chen

dblp:268/8089 · DBLP profile ↗
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4ranked-venue papers
0as first author
4since 2021 · last 2024
0000-0002-8314-7782ORCID · corroborated

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 3 · 3 since 2021Graphics, computer vision, multimedia, augmented reality and games · 2 · 2 since 2021Systems, architecture and hardware · 1 · 1 since 2021Human-computer interaction and ubiquitous computing · 1 · 1 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Artificial intelligence
3 papers
3D vision · 78% Generative modeling · 17% Segmentation and scene understanding · 5%
Computer graphics and multimedia
4 papers
Geometric modeling and processing · 66% Visual content generation and editing · 29% Image and video processing · 6%

Topics — the 12 heaviest of 12, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Computer vision › 3D vision
3d reconstruction
0.812024
LAM3D: Large Image-Point Clouds Alignment Model for 3D Reconstruction from Single Image · NeurIPS 2024
Computer vision › 3D vision › 3d generation
3d scene generation
0.812024
Frankenstein: Generating Semantic-Compositional 3D Scenes in One Tri-Plane · SIGGRAPH Asia 2024
Machine learning › Generative modeling
diffusion model
0.812024
Frankenstein: Generating Semantic-Compositional 3D Scenes in One Tri-Plane · SIGGRAPH Asia 2024
Computer vision › 3D vision › 3d reconstruction
single-view 3d reconstruction
0.812024
LAM3D: Large Image-Point Clouds Alignment Model for 3D Reconstruction from Single Image · NeurIPS 2024
Computer vision › 3D vision › 3d reconstruction
surface reconstruction
0.812024
LAM3D: Large Image-Point Clouds Alignment Model for 3D Reconstruction from Single Image · NeurIPS 2024
Visual content generation and editing
3d shape generation
0.812024
NeuSDFusion: A Spatial-Aware Generative Model for 3D Shape Completion, Reconstruction, and Generation · ECCV (19) 2024
Geometric modeling and processing
shape representation
0.812024
Frankenstein: Generating Semantic-Compositional 3D Scenes in One Tri-Plane · SIGGRAPH Asia 2024
Geometric modeling and processing › shape representation › implicit representation
signed distance function
0.812024
Frankenstein: Generating Semantic-Compositional 3D Scenes in One Tri-Plane · SIGGRAPH Asia 2024
Computer vision › 3D vision
motion estimation
0.512021
A Multi-spectral Dataset for Evaluating Motion Estimation Systems · ICRA 2021
Computer vision › Segmentation and scene understanding
scene understanding
0.212024
Frankenstein: Generating Semantic-Compositional 3D Scenes in One Tri-Plane · SIGGRAPH Asia 2024
Geometric modeling and processing
point cloud processing
0.212024
LAM3D: Large Image-Point Clouds Alignment Model for 3D Reconstruction from Single Image · NeurIPS 2024
Image and video processing
thermal imaging
0.112021
A Multi-spectral Dataset for Evaluating Motion Estimation Systems · ICRA 2021

Methods — techniques the papers use, named apart from their topics

tri-plane representation · 1.5point cloud network · 1.5large reconstruction model · 1.5feature alignment · 1.5denoising diffusion · 1.5autoencoder · 1.5motion capture · 1.0inertial measurement unit · 1.0spatial-aware generative modeling · 0.8diffusion model · 0.8
YearPublicationVenuePosition
2024 NeuSDFusion: A Spatial-Aware Generative Model for 3D Shape Completion, Reconstruction, and Generation
Ruikai Cui, Weizhe Liu, Weixuan Sun, Senbo Wang, Taizhang Shang, Yang Li 0193, Xibin Song, Han Yan 0004, Zhennan Wu, Shenzhou Chen, Hongdong Li, Pan Ji
ECCV (19)10
2024 LAM3D: Large Image-Point Clouds Alignment Model for 3D Reconstruction from Single Image
abstract
Large Reconstruction Models have made significant strides in the realm of automated 3D content generation from single or multiple input images. Despite their success, these models often produce 3D meshes with geometric inaccuracies, stemming from the inherent challenges of deducing 3D shapes solely from image data. In this work, we introduce a novel framework, the Large Image and Point Cloud Alignment Model (LAM3D), which utilizes 3D point cloud data to enhance the fidelity of generated 3D meshes. Our methodology begins with the development of a point-cloud-based network that effectively generates precise and meaningful latent tri-planes, laying the groundwork for accurate 3D mesh reconstruction. Building upon this, our Image-Point-Cloud Feature Alignment technique processes a single input image, aligning to the latent tri-planes to imbue image features with robust 3D information. This process not only enriches the image features but also facilitates the production of high-fidelity 3D meshes without the need for multi-view input, significantly reducing geometric distortions. Our approach achieves state-of-the-art high-fidelity 3D mesh reconstruction from a single image in just 6 seconds, and experiments on various datasets demonstrate its effectiveness.
Ruikai Cui, Xibin Song, Weixuan Sun, Senbo Wang, Weizhe Liu, Shenzhou Chen, Taizhang Shang, Yang Li 0193, Nick Barnes, Hongdong Li, Pan Ji
NeurIPS6
2024 Frankenstein: Generating Semantic-Compositional 3D Scenes in One Tri-Plane
abstract
We present Frankenstein, a diffusion-based framework that can generate semantic-compositional 3D scenes in a single pass. Unlike existing methods that output a single, unified 3D shape, Frankenstein simultaneously generates multiple separated shapes, each corresponding to a semantically meaningful part. The 3D scene information is encoded in one single triplane tensor, from which multiple Signed Distance Function (SDF) fields can be decoded to represent the compositional shapes. During training, an auto-encoder compresses tri-planes into a latent space, and then the denoising diffusion process is employed to approximate the distribution of the compositional scenes. Frankenstein demonstrates promising results in generating room interiors as well as human avatars with automatically separated parts. The generated scenes facilitate many downstream applications, such as part-wise re-texturing, object rearrangement in the room or avatar cloth re-targeting.
Han Yan 0004, Yang Li 0193, Zhennan Wu, Shenzhou Chen, Weixuan Sun, Taizhang Shang, Weizhe Liu, Xiaqiang Dai, Chao Ma 0004, Hongdong Li, Pan Ji
SIGGRAPH Asia4
2021 A Multi-spectral Dataset for Evaluating Motion Estimation Systems
abstract
Visible images have been widely used for motion estimation. Thermal images, in contrast, are more challenging to be used in motion estimation since they typically have lower resolution, less texture, and more noise. In this paper, a novel dataset for evaluating the performance of multi-spectral motion estimation systems is presented. All the sequences are recorded from a handheld multi-spectral device. It consists of a standard visible-light camera, a long-wave infrared camera, an RGB-D camera, and an inertial measurement unit (IMU). The multi-spectral images, including both color and thermal images in full sensor resolution (640 × 480), are obtained from a standard and a long-wave infrared camera at 32Hz with hardware-synchronization. The depth images are captured by a Microsoft Kinect2 and can have benefits for learning cross-modalities stereo matching. For trajectory evaluation, accurate ground-truth camera poses obtained from a motion capture system are provided. In addition to the sequences with bright illumination, the dataset also contains dim, varying, and complex illumination scenes. The full dataset, including raw data and calibration data with detailed data format specifications, is publicly available.
Weichen Dai 0001, Yu Zhang 0018, Shenzhou Chen, Donglei Sun, Da Kong
ICRA3