Music timbre transfer is a challenging task that involves modifying the timbral characteristics of an audio signal while preserving its melodic structure. In this paper, we propose a novel method based on dual diffusion bridges, trained using the CocoChorales Dataset, which consists of unpaired monophonic single-instrument audio data. Each diffusion model is trained on a specific instrument with a Gaussian prior. During inference, a model is designated as the source model to map the input audio to its corresponding Gaussian prior, and another model is designated as the target model to reconstruct the target audio from this Gaussian prior, thereby facilitating timbre transfer. We compare our approach against existing unsupervised timbre transfer models such as VAEGAN and Gaussian Flow Bridges (GFB). Experimental results demonstrate that our method achieves both better Fréchet Audio Distance (FAD) and melody preservation, as reflected by lower pitch distances (DPD) compared to VAEGAN and GFB. Additionally, we discover that the noise level from the Gaussian prior, σ, can be adjusted to control the degree of melody preservation and amount of timbre transferred.

We present a head-related transfer function (HRTF) estimation method which relies on a data-driven prior given by a score-based diffusion model. The HRTF is estimated in reverberant environments using natural excitation signals, e.g. human speech. The impulse response of the room is estimated along with the HRTF by optimizing a parametric model of reverberation based on the statistical behaviour of room acoustics. The posterior distribution of HRTF given the reverberant measurement and excitation signal is modelled using the score-based HRTF prior and a log-likelihood approximation. We show that the resulting method outperforms several baselines, including an oracle recommender system that assigns the optimal HRTF in our training set based on the smallest distance to the true HRTF at the given direction of arrival. In particular, we show that the diffusion prior can account for the large variability of high-frequency content in HRTFs.

This letter introduces an innovative method to enhance the quality of audio time stretching by precisely decomposing a sound into sines, transients, and noise and by improving the processing of the latter component. While there are established methods for time-stretching sines and transients with high quality, the manipulation of noise or residual components has lacked robust solutions in prior research. The proposed method combines sound decomposition with previous techniques for audio spectral resynthesis. The time-stretched noise component is achieved by morphing its time-interpolated spectral magnitude with a white-noise excitation signal. This method stands out for its simplicity, efficiency, and audio quality. The results of a subjective experiment affirm the superiority of this approach over current state-of-the-art methods across all evaluated stretch factors. The proposed technique notably excels in extreme stretching scenarios, signifying a substantial elevation in performance. The proposed method holds promise for a wide range of applications in slow-motion media content, such as music or sports video production.

Audio bandwidth extension involves the realistic reconstruction of high-frequency spectra from bandlimited observations. In cases where the lowpass degradation is unknown, such as in restoring historical audio recordings, this becomes a blind problem. This paper introduces a novel method called BABE (Blind Audio Bandwidth Extension) that addresses the blind problem in a zero-shot setting, leveraging the generative priors of a pre-trained unconditional diffusion model. During the inference process, BABE utilizes a generalized version of diffusion posterior sampling, where the degradation operator is unknown but parametrized and inferred iteratively. The performance of the proposed method is evaluated using objective and subjective metrics, and the results show that BABE surpasses state-of-the-art blind bandwidth extension baselines and achieves competitive performance compared to informed methods when tested with synthetic data. Moreover, BABE exhibits robust generalization capabilities when enhancing real historical recordings, effectively reconstructing the missing high-frequency content while maintaining coherence with the original recording. Subjective preference tests confirm that BABE significantly improves the audio quality of historical music recordings. Examples of historical recordings restored with the proposed method are available on the companion webpage:http://research.spa.aalto.fi/publications/papers/ieee-taslp-babe/

This paper presents CQT-Diff, a data-driven generative audio model that can, once trained, be used for solving various different audio inverse problems in a problem-agnostic setting. CQT-Diff is a neural diffusion model with an architecture that is carefully constructed to exploit pitch-equivariant symmetries in music. This is achieved by preconditioning the model with an invertible Constant-Q Transform (CQT), whose logarithmically-spaced frequency axis represents pitch equivariance as translation equivariance. The proposed method is evaluated with solo piano music, using objective and subjective metrics in three different and varied tasks: audio bandwidth extension, inpainting, and declipping. The results show that CQT-Diff outperforms the compared baselines and ablations in audio bandwidth extension and, without retraining, delivers competitive performance against modern baselines in audio inpainting and declipping. This work represents the first diffusion-based general framework for solving inverse problems in audio processing.

Audio bandwidth extension aims to expand the spectrum of bandlimited audio signals. Although this topic has been broadly studied during recent years, the particular problem of extending the bandwidth of historical music recordings remains an open challenge. This paper proposes a method for the bandwidth extension of historical music using generative adversarial networks (BEHM-GAN) as a practical solution to this problem. The proposed method works with the complex spectrogram representation of audio and, thanks to a dedicated regularization strategy, can effectively extend the bandwidth of out-of-distribution real historical recordings. The BEHM-GAN is designed to be applied as a second step after denoising the recording to suppress any additive disturbances, such as clicks and background noise. We train and evaluate the method using solo piano classical music. The proposed method outperforms the compared baselines in both objective and subjective experiments. The results of a formal blind listening test show that BEHM-GAN significantly increases the perceptual sound quality in early-20th-century gramophone recordings. For several items, there is a substantial improvement in the mean opinion score after enhancing historical recordings with the proposed bandwidth-extension algorithm. This study represents a relevant step toward data-driven music restoration in real-world scenarios.

Enhancing the sound quality of historical music recordings is a long-standing problem. This paper presents a novel denoising method based on a fully-convolutional deep neural network. A two-stage U-Net model architecture is designed to model and suppress the degradations with high fidelity. The method processes the time-frequency representation of audio, and is trained using realistic noisy data to jointly remove hiss, clicks, thumps, and other common additive disturbances from old analog discs. The proposed model outperforms previous methods in both objective and subjective metrics. The results of a formal blind listening test show that real gramophone recordings denoised with this method have significantly better quality than the baseline methods. This study shows the importance of realistic training data and the power of deep learning in audio restoration.

This paper studies the problem of training a semantic segmentation neural network with weak annotations, in order to be applied in aerial vegetation images from Teide National Park. It proposes a Deep Seeded Region Growing system which consists on training a semantic segmentation network from a set of seeds generated by a Support Vector Machine. A region growing algorithm module is applied to the seeds to progressively increase the pixel-level supervision. The proposed method performs better than an SVM, which is one of the most popular segmentation tools in remote sensing image applications.