Recently, diffusion models have emerged as promising newcomers in the field of generative models, shining brightly in image generation. However, when employed for object removal tasks, they still encounter issues such as generating random artifacts and the incapacity to repaint foreground object areas with appropriate content after removal. To tackle these problems, we propose Attentive Eraser, a tuning-free method to empower pre-trained diffusion models for stable and effective object removal. Firstly, in light of the observation that the self-attention maps influence the structure and shape details of the generated images, we propose Attention Activation and Suppression (ASS), which re-engineers the self-attention mechanism within the pre-trained diffusion models based on the given mask, thereby prioritizing the background over the foreground object during the reverse generation process. Moreover, we introduce Self-Attention Redirection Guidance (SARG), which utilizes the self-attention redirected by ASS to guide the generation process, effectively removing foreground objects within the mask while simultaneously generating content that is both plausible and coherent. Experiments demonstrate the stability and effectiveness of Attentive Eraser in object removal across a variety of pre-trained diffusion models, outperforming even training-based methods. Furthermore, Attentive Eraser can be implemented in various diffusion model architectures and checkpoints, enabling excellent scalability.

Erase inpainting, or object removal, aims to precisely remove target objects within masked regions while preserving the overall consistency of the surrounding content. Despite diffusion-based methods have made significant strides in the field of image inpainting, challenges remain regarding the emergence of unexpected objects or artifacts. We assert that the inexact diffusion pathways established by existing standard optimization paradigms constrain the efficacy of object removal. To tackle these challenges, we propose a novel Erase Diffusion, termed EraDiff, aimed at unleashing the potential power of standard diffusion in the context of object removal. In contrast to standard diffusion, the EraDiff adapts both the optimization paradigm and the network to improve the coherence and elimination of the erasure results. We first introduce a Chain-Rectifying Optimization (CRO) paradigm, a sophisticated diffusion process specifically designed to align with the objectives of erasure. This paradigm establishes innovative diffusion transition pathways that simulate the gradual elimination of objects during optimization, allowing the model to accurately capture the intent of object removal. Furthermore, to mitigate deviations caused by artifacts during the sampling path-ways, we develop a simple yet effective Self-Rectifying Attention (SRA) mechanism. The SRA calibrates the sampling pathways by altering self-attention activation, allowing the model to effectively bypass artifacts while further enhancing the coherence of the generated content. With this design, our proposed EraDiff achieves state-of-the-art performance on the OpenImages V5 dataset and demonstrates significant superiority in real-world scenarios.

Virtual footwear try-on (VFTON), a critical yet underexplored area in virtual try-on (VTON), aims to synthesize faithful try-on results given diverse footwear and model images while maintaining 3D consistency and texture authenticity. Unlike conventional garment-focused VTON methods, VFTON presents unique challenges due to (1) Data Scarcity, which arises from the difficulty of perfectly matching product shoes with models wearing the identical ones, (2) Viewpoint Misalignment, where the target foot pose and source shoe views are always misaligned, leading to incomplete texture information and detail distortion, and (3) Background-induced Color Distortion, where complex material of footwear interacts with environmental lighting, causing unintended color contamination. To address these challenges, we introduce MVShoes, a multi-view shoe try-on dataset consisting of 7305 well-annotated image triplets, covering diverse footwear categories and challenging try-on scenarios. Furthermore, we propose a dual-stream DiT architecture, ShoeFit, designed to mitigate viewpoint misalignment through Multi-View Conditioning with 3D Rotary Position Embedding, and alleviate background-induced distortion using the LayeredRefAttention which leverages background features to modulate footwear latents. The proposed framework effectively decouples shoe appearance from environmental interferences while preserving high-quality texture detail through decoupled denoising and conditioning branches. Extensive quantitative and qualitative experiments demonstrate that our method substantially improves rendering fidelity and robustness under challenging real-world product shoes, establishing a new benchmark in high-fidelity footwear try-on synthesis. The dataset and benchmark will be publicly available upon acceptance of the paper.

End-to-end scene text spotting has recently gained great attention in the research community. The majority of existing methods rely heavily on the location annotations of text instances (e.g., word-level boxes, word-level masks, and char-level boxes). We demonstrate that scene text spotting can be accomplished solely via text transcription, significantly reducing the need for costly location annotations. We propose a query-based paradigm to learn implicit location features via the interaction of text queries and image embeddings. These features are then made explicit during the text recognition stage via an attention activation map. Due to the difficulty of training the weakly-supervised model from scratch, we address the issue of model convergence via a circular curriculum learning strategy. Additionally, we propose a coarse-to-fine cross-attention localization mechanism for more precisely locating text instances. Notably, we provide a solution for text spotting via audio annotation, which further reduces the time required for annotation. Moreover, it establishes a link between audio, text, and image modalities in scene text spotting. Using only transcription annotations as supervision on both real and synthetic data, we achieve competitive results on several popular scene text benchmarks. The proposed method offers a reasonable trade-off between model accuracy and annotation time, allowing simplification of large-scale text spotting applications.

Deep learning methods have shown considerable potential for hyperspectral image (HSI) classification, which can achieve high accuracy compared with traditional methods. However, they often need a large number of training samples and have a lot of parameters and high computational overhead. To solve these problems, this article proposes new network architecture, LiteDepthwiseNet, for HSI classification. Based on 3-D depthwise convolution, LiteDepthwiseNet can decompose standard convolution into depthwise convolution and pointwise convolution, which can achieve high classification performance with minimal parameters. Moreover, we remove the ReLU layer and batch normalization layer in the original 3-D depthwise convolution, which is likely to improve the overfitting phenomenon of the model on small-sized data sets. In addition, focal loss is used as the loss function to improve the model’s attention on difficult samples and unbalanced data, and its training performance is significantly better than that of cross-entropy loss or balanced cross-entropy loss. Experiment results on five benchmark hyperspectral data sets show that LiteDepthwiseNet achieves state-of-the-art performance with a very small number of parameters and low computational cost.