Demo Data from VLDB 2026 / reviewers in the wild / expert
Jessica Shand
dblp:379/5532
· DBLP profile ↗
1ranked-venue papers
0as first author
1since 2021 · last 2024
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Artificial intelligence and machine learning · 1 · 1 since 2021
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Audio and music processing · 100% |
Topics — the 2 heaviest of 3, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Audio and music processing › sound synthesis
neural audio synthesis |
0.8 | 1 | 2024 | Creative Text-to-Audio Generation via Synthesizer Programming · ICML 2024 |
Audio and music processing › sound synthesis
text-to-audio generation |
0.8 | 1 | 2024 | Creative Text-to-Audio Generation via Synthesizer Programming · ICML 2024 |
Methods — techniques the papers use, named apart from their topics
virtual modular synthesizer · 0.8parameter optimization · 0.8
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2024 | Creative Text-to-Audio Generation via Synthesizer ProgrammingabstractNeural audio synthesis methods now allow specifying ideas in natural language. However, these methods produce results that cannot be easily tweaked, as they are based on large latent spaces and up to billions of uninterpretable parameters. We propose a text-to-audio generation method that leverages a virtual modular sound synthesizer with only 78 parameters. Synthesizers have long been used by skilled sound designers for media like music and film due to their flexibility and intuitive controls. Our method, CTAG, iteratively updates a synthesizer's parameters to produce high-quality audio renderings of text prompts that can be easily inspected and tweaked. Sounds produced this way are also more abstract, capturing essential conceptual features over fine-grained acoustic details, akin to how simple sketches can vividly convey visual concepts. Our results show how CTAG produces sounds that are distinctive, perceived as artistic, and yet similarly identifiable to recent neural audio synthesis models, positioning it as a valuable and complementary tool. Manuel Cherep, Nikhil Singh 0003, Jessica Shand |
ICML | 3 |