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Damien Sprockeels

dblp:388/1905 · DBLP profile ↗
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2ranked-venue papers
2as first author
2since 2021 · last 2025
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 2 · 2 first-author · 2 since 2021Graphics, computer vision, multimedia, augmented reality and games · 2 · 2 first-author · 2 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
2 papers
Audio and music processing · 100%
Theoretical computer science
2 papers
Mathematical optimization · 100%

Topics — the 2 heaviest of 2, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Audio and music processing
music composition
1.622025
Towards a Practical Tool for Music Composition: Using Constraint Programming to Model Chord Progressions and Modulations · IJCAI 2025
Expressing Musical Ideas with Constraint Programming Using a Model of Tonal Harmony · IJCAI 2024
Mathematical optimization
constraint programming
1.622025
Towards a Practical Tool for Music Composition: Using Constraint Programming to Model Chord Progressions and Modulations · IJCAI 2025
Expressing Musical Ideas with Constraint Programming Using a Model of Tonal Harmony · IJCAI 2024

Methods — techniques the papers use, named apart from their topics

constraint programming · 3.3
YearPublicationVenuePosition
2025 Towards a Practical Tool for Music Composition: Using Constraint Programming to Model Chord Progressions and Modulations
abstract
The Harmoniser project aims to provide a practical tool to aid music composers in creating complete musical works. In this paper, we present a formal model of its second layer, tonal chord progressions and modulations to neighbouring tonalities, and a practical implementation using the Gecode constraint solver. Since music composition is too complex to formalize in its entirety, the Harmoniser project makes two assumptions for tractability: first, it focuses on tonal music (the basis of Western classical and popular music); second, it defines a simplified four-layer composition process that is relevant for a significant number of composers. Previous work on using constraint programming for music composition was limited to exploring the formalisation of different musical aspects and did not address the overall problem of building a practical composer tool. Harmoniser's four layers are global structure (tonal development of the whole piece), chord progressions (diatonic and chromatic) and modulations, voicing (four-voice chord layout), and ornaments (e.g., passing notes, appoggiaturas), all allowing iterative refinement by the composer. This paper builds on prior work for voicing layer 3, Diatony, and presents a model for layer 2, chord progressions and modulations. The results of the present paper can be used as input to Diatony to generate voicing. Future work will define models for the remaining layers, and combine all layers together with a graphical user interface as a plug-in for a DAW.
Damien Sprockeels, Peter Van Roy
IJCAI1
2024 Expressing Musical Ideas with Constraint Programming Using a Model of Tonal Harmony
Damien Sprockeels, Peter Van Roy
IJCAI1