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Benedikt Brachtel

dblp:409/6874 · DBLP profile ↗
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1ranked-venue papers
0as first author
1since 2021 · last 2025
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Visualization and visual analytics · 67% Multimedia systems and quality of experience · 33%

Topics — the 3 heaviest of 3, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Multimedia systems and quality of experience › user interaction
human-AI interaction
0.912025
MAICO: A Visualization Design Study on AI-Assisted Music Composition · IEEE Trans. Vis. Comput. Graph. 2025
Visualization and visual analytics
visual analytics
0.912025
MAICO: A Visualization Design Study on AI-Assisted Music Composition · IEEE Trans. Vis. Comput. Graph. 2025
Visualization and visual analytics › interactive data exploration › visual exploration
visual parameter space analysis
0.912025
MAICO: A Visualization Design Study on AI-Assisted Music Composition · IEEE Trans. Vis. Comput. Graph. 2025

Methods — techniques the papers use, named apart from their topics

similarity-based layout · 0.9generative music model · 0.9
YearPublicationVenuePosition
2025 MAICO: A Visualization Design Study on AI-Assisted Music Composition
abstract
We contribute a design study on using visual analytics for AI-assisted music composition. The main result is the interface MAICO (Music AI Co-creativity), which allows composers and other music creators to interactively generate, explore, select, edit, and compare samples from generative music models. MAICO is based on the idea of visual parameter space analysis and supports the simultaneous analysis of hundreds of short samples of symbolic music from multiple models, displaying them in different metric- and similarity-based layouts. We developed and evaluated MAICO together with a professional composer who actively used it for five months to create, among other things, a composition for the Biennale Arte 2024 in Venice, which was recorded by the Munich Symphonic Orchestra. We discuss our design choices and lessons learned from this endeavor to support Human-AI co-creativity with visual analytics.
Simeon Rau, Frank Heyen, Benedikt Brachtel, Michael Sedlmair
IEEE Trans. Vis. Comput. Graph.3