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Andy M. Sarroff

dblp:41/8692 · DBLP profile ↗
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3ranked-venue papers
0as first author
1since 2021 · last 2021
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 3 · 1 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Databases, data mining, and information retrieval
1 paper
Recommender systems · 100%
Computer graphics and multimedia
1 paper
Audio and music processing · 100%

Topics — the 2 heaviest of 2, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Recommender systems
tag recommendation
0.112010
Large-scale music tag recommendation with explicit multiple attributes · ACM Multimedia 2010
Audio and music processing › music analysis
music signal analysis
0.112010
Large-scale music tag recommendation with explicit multiple attributes · ACM Multimedia 2010

Methods — techniques the papers use, named apart from their topics

semantic similarity · 0.2mapreduce · 0.2collaborative filtering · 0.2
YearPublicationVenuePosition
2021 Lightweight and Interpretable Neural Modeling of an Audio Distortion Effect Using Hyperconditioned Differentiable Biquads
abstract
In this work, we propose using differentiable cascaded biquads to model an audio distortion effect. We extend trainable infinite impulse response (IIR) filters to the hyperconditioned case, in which a transformation is learned to directly map external parameters of the distortion effect to its internal filter and gain parameters, along with activations necessary to ensure filter stability. We propose a novel, efficient training scheme of IIR filters by means of a Fourier transform. Our models have significantly fewer parameters and reduced complexity relative to more traditional black-box neural audio effect modeling methodologies using finite impulse response filters. Our smallest, best-performing model adequately models a BOSS MT-2 pedal at 44.1 kHz, using a total of 40 biquads and only 210 parameters. Its model parameters are interpretable, can be related back to the original analog audio circuit, and can even be intuitively altered by machine learning non-specialists after model training. Quantitative and qualitative results illustrate the effectiveness of the proposed method.
Shahan Nercessian, Andy M. Sarroff, Kurt James Werner
ICASSP2
2019 The Phasebook: Building Complex Masks via Discrete Representations for Source Separation
abstract
Deep learning based speech enhancement and source separation systems have recently reached unprecedented levels of quality, to the point that performance is reaching a new ceiling. Most systems rely on estimating the magnitude of a target source, either directly or by computing a real-valued mask to be applied to a time-frequency representation of the mixture signal. A limiting factor in such approaches is a lack of phase estimation: the phase of the mixture is most often used when reconstructing the estimated time-domain signal. We propose to estimate phase using "phasebook", a new type of layer based on a discrete representation of the phase difference between the mixture and the target. We also introduce "combook", a similar type of layer that directly estimates a complex mask. We present various training and inference schemes involving these representations, and explain in particular how to include them in an end-to-end learning framework. We also present an oracle study to assess upper bounds on performance for various types of masks using discrete phase representations. We evaluate the proposed methods on the wsj0-2mix dataset, a well-studied corpus for single-channel speaker-independent speaker separation, matching the performance of state-of-the-art mask-based approaches without requiring additional phase reconstruction steps.
Jonathan Le Roux, Gordon Wichern, Shinji Watanabe 0001, Andy M. Sarroff, John R. Hershey
ICASSP4
2010 Large-scale music tag recommendation with explicit multiple attributes
abstract
Social tagging can provide rich semantic information for large-scale retrieval in music discovery. Such collaborative intelligence, however, also generates a high degree of tags unhelpful to discovery, some of which obfuscate critical information. Towards addressing these shortcomings, tag recommendation for more robust music discovery is an emerging topic of significance for researchers. However, current methods do not consider diversity of music attributes, often using simple heuristics such as tag frequency for filtering out irrelevant tags. Music attributes encompass any number of perceived dimensions, for instance vocalness, genre, and instrumentation. Many of these are underrepresented by current tag recommenders. We propose a scheme for tag recommendation using Explicit Multiple Attributes based on tag semantic similarity and music content. In our approach, the attribute space is explicitly constrained at the outset to a set that minimizes semantic loss and tag noise, while ensuring attribute diversity. Once the user uploads or browses a song, the system recommends a list of relevant tags in each attribute independently. To the best of our knowledge, this is the first method to consider Explicit Multiple Attributes for tag recommendation. Our system is designed for large-scale deployment, on the order of millions of objects. For processing large-scale music data sets, we design parallel algorithms based on the MapReduce framework to perform large-scale music content and social tag analysis, train a model, and compute tag similarity. We evaluate our tag recommendation system on CAL-500 and a large-scale data set ($N = 77,448$ songs) generated by crawling Youtube and Last.fm. Our results indicate that our proposed method is both effective for recommending attribute-diverse relevant tags and efficient at scalable processing.
Zhendong Zhao, Xinxi Wang, Qiaoliang Xiang, Andy M. Sarroff, Ye Wang 0007
ACM Multimedia4