In digital humanities (DH) and cultural heritage (CH), visualization-based storytelling (VBS) has become an important approach for structuring, interpreting, and communicating cultural data and research results. The specific characteristics of these domains – historically oriented data, high levels of semantic ambiguity and uncertainty, interpretive rather than purely analytical goals, and deep expertise in narrative theory and practice – create both distinct requirements for VBS design and distinct opportunities that existing frameworks and tools only partially address. Yet the body of work that has emerged in response to these requirements remains scattered across disciplines and venues, with no systematic account of current practice and no consolidated view of open challenges.Against this backdrop, we survey DH and CH work on story designs and VBS tools to identify trends and recurring patterns, promising practices, and open challenges. We contribute by (1) synthesizing storytelling design spaces into a framework tailored to VBS in DH and CH, (2) mapping existing approaches to generate a field-level picture of practices and gaps, and (3) highlighting future areas of concern and inquiry for VBS in relation to domain-specific epistemic questions. Overall, this survey seeks to consolidate an emerging community of practice and offer a shared analytical foundation for future research and design.

Recent approaches have proven the effectiveness of local outlier factor-based outlier detection when applied over traffic flow probability distributions. However, these approaches used distance metrics based on the Bhattacharyya coefficient when calculating probability distribution similarity. Consequently, the limited expressiveness of the Bhattacharyya coefficient restricted the accuracy of the methods. The crucial deficiency of the Bhattacharyya distance metric is its inability to compare distributions with non-overlapping sample spaces over the domain of natural numbers. Traffic flow intensity varies greatly, which results in numerous non-overlapping sample spaces, rendering metrics based on the Bhattacharyya coefficient inappropriate. In this work, we address this issue by exploring alternative distance metrics and showing their applicability in a massive real-life traffic flow data set from 26 vital intersections in The Hague. The results on these data collected from 272 sensors for more than two years show various advantages of the Earth Mover's distance both in effectiveness and efficiency.

The analysis of variance in complex text traditions is an arduous task when carried out manually. Text alignment algorithms provide domain experts with a robust alternative to such repetitive tasks. Existing white-box approaches allow the digital humanities to establish syntax-based metrics taking into account the spelling, morphology and order of words. However, they produce limited results, as semantic meanings are typically not taken into account. Our interdisciplinary collaboration between visualization and digital humanities combined a semi-supervised text alignment approach based on word embeddings that take not only syntactic but also semantic text features into account, thereby improving the overall quality of the alignment. In our collaboration, we developed different visual interfaces that communicate the word distribution in high-dimensional vector space generated by the underlying neural network for increased transparency, assessment of the tool's reliability and overall improved hypothesis generation. We further offer visual means to enable the expert reader to feed domain knowledge into the system at multiple levels with the aim of improving both the product and the process of text alignment. This ultimately illustrates how visualization can engage with and augment complex modes of reading in the humanities.

Text alignment is one of the fundamental techniques text-related domains like natural language processing, computational linguistics, and digital humanities. It compares two or more texts with each other aiming to find similar textual patterns, or to estimate in general how different or similar the texts are. Visualizing alignment results is an essential task, because it helps researchers getting a comprehensive overview of individual findings and the overall pattern structure. Different approaches have been developed to visualize and help making sense of these patterns depending on text size, alignment methods, and, most importantly, the underlying research tasks demanding for alignment. On the basis of those tasks, we reviewed existing text alignment visualization approaches, and discuss their advantages and drawbacks. We finally derive design implications and shed light on related future challenges.

Abstract Digital methods are increasingly applied to store, structure and analyse vast amounts of musical data. In this context, visualization plays a crucial role, as it assists musicologists and non‐expert users in data analysis and in gaining new knowledge. This survey focuses on this unique link between musicology and visualization. We classify 129 related works according to the visualized data types, and we analyse which visualization techniques were applied for certain research inquiries and to fulfill specific tasks. Next to scientific references, we take commercial music software and public websites into account, that contribute novel concepts of visualizing musicological data. We encounter different aspects of uncertainty as major problems when dealing with musicological data and show how occurring inconsistencies are processed and visually communicated. Drawing from our overview in the field, we identify open challenges for research on the interface of musicology and visualization to be tackled in the future.

When point clouds are labeled in information visualization applications, sophisticated guidelines as in cartography do not yet exist. Existing naive strategies may mislead as to which points belong to which label. To inform improved strategies, we studied factors influencing this phenomenon. We derived a class of labeled point cloud representations from existing applications and we defined different models predicting how humans interpret such complex representations, focusing on their geometric properties. We conducted an empirical study, in which participants had to relate dots to labels in order to evaluate how well our models predict. Our results indicate that presence of point clusters, label size, and angle to the label have an effect on participants' judgment as well as that the distance measure types considered perform differently discouraging the use of label centers as reference points.

Joseph Priestley's Chart of Biography is a masterpiece of hand-drawn data visualization. He arranged the lifespans of around 2,000 individuals on a timeline, and the chart obtained great value for teaching purposes. We present a generic, interactive variant of the chart adopting Priestley's basic design principles. Our proposed visualization allows for dynamically defining person groups to be visually compared on different zoom levels. We designed the visualization in cooperation with musicologists having multifaceted research interests on a biographical database of musicians. On the one hand, we enable deriving new relationships between musicians in order to extend the underlying database, and on the other hand, our visualization supports analyzing time-dependent changes of musical institutions. Various usage scenarios outline the benefit of the Interactive Chart of Biography for research in musicology.

A predominance map expresses the predominant data category for each geographical entity and colors are used to differentiate a small number of data categories. In tag maps, many data categories are present in the form of different tags, but related tag map approaches do not account for predominance, as tags are either displaced from their respective geographical locations or visual clutter occurs. We propose predominance tag maps, a layout algorithm that accounts for predominance for arbitrary aggregation granularities. The algorithm is able to utilize the font sizes of the tags as visual variable and it is further configurable to implement aggregation strategies beyond visualizing predominance. We introduce various measures to evaluate numerically the qualitative aspects of tag maps regarding local predominance, global features, and layout stability and we comparatively analyze our method to the tag map approach by Thom et al. [1] on the basis of real world data sets.

Abstract In 2005, Franco Moretti introduced Distant Reading to analyse entire literary text collections. This was a rather revolutionary idea compared to the traditional Close Reading, which focuses on the thorough interpretation of an individual work. Both reading techniques are the prior means of Visual Text Analysis. We present an overview of the research conducted since 2005 on supporting text analysis tasks with close and distant reading visualizations in the digital humanities. Therefore, we classify the observed papers according to a taxonomy of text analysis tasks, categorize applied close and distant reading techniques to support the investigation of these tasks and illustrate approaches that combine both reading techniques in order to provide a multi‐faceted view of the textual data. In addition, we take a look at the used text sources and at the typical data transformation steps required for the proposed visualizations. Finally, we summarize collaboration experiences when developing visualizations for close and distant reading, and we give an outlook on future challenges in that research area.

Determining similar objects based upon the features of an object of interest is a common task for visual analytics systems. This process is called profiling, if the object of interest is a person with individual attributes. The profiling of musicians similar to a musician of interest with the aid of visual means became an interesting research question for musicologists working with the Bavarian Musicians Encyclopedia Online. This paper illustrates the development of a visual analytics profiling system that is used to address such research questions. Taking musicological knowledge into account, we outline various steps of our collaborative digital humanities project, priority (1) the definition of various measures to determine the similarity of musicians' attributes, and (2) the design of an interactive profiling system that supports musicologists in iteratively determining similar musicians. The utility of the profiling system is emphasized by various usage scenarios illustrating current research questions in musicology.

Graphs are a versatile structure and abstraction for binary relationships between objects. To gain insight into such relationships, their corresponding graph can be visualized. In the past, many classes of graphs have been defined, e.g. trees, planar graphs, directed acyclic graphs, and visualization algorithms were proposed for these classes. Although many graphs may only be classified as "general" graphs, they can contain substructures that belong to a certain class. Archambault proposed the TopoLayout framework: rather than draw any arbitrary graph using one method, split the graph into components that are homogeneous with respect to one graph class and then draw each component with an algorithm best suited for this class. Graph products constitute a class that arises frequently in graph theory, but for which no visualization algorithm has been proposed until now. In this paper, we present an algorithm for drawing graph products and the aesthetic criterion graph product's drawings are subject to. We show that the popular High-Dimensional Embedder approach applied to cartesian products already respects this aestetic criterion, but has disadvantages. We also present how our method is integrated as a new component into the TopoLayout framework. Our implementation is used for further research of graph products in a biological context.