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Terry Nelson

dblp:52/10656 · DBLP profile ↗
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1ranked-venue papers
0as first author
0since 2021 · last 2016
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Image and video processing · 50% Rendering · 50%

Topics — the 2 heaviest of 2, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Image and video processing
halftoning
0.212016
Halftone Blending Between Smooth and Detail Screens to Improve Print Quality With Electrophotographic Printers · IEEE Trans. Image Process. 2016
Rendering
image rendering
0.212016
Halftone Blending Between Smooth and Detail Screens to Improve Print Quality With Electrophotographic Printers · IEEE Trans. Image Process. 2016

Methods — techniques the papers use, named apart from their topics

tone mapping · 0.2nonlinear blending · 0.2calibration · 0.2
YearPublicationVenuePosition
2016 Halftone Blending Between Smooth and Detail Screens to Improve Print Quality With Electrophotographic Printers
abstract
In this paper, we consider a dual-mode process for the electrophotographic laser printer--a low-frequency halftoning for smooth regions and a high-frequency halftoning for detail regions. These regions are described by an object map that is extracted from the page description language version of the document. This manner of switching screens depending on the local content provides a stable halftone without artifacts in smooth areas and preserves the detail rendering in detail or texture areas. However, when switching between halftones with two different frequencies, jaggies may occur along the boundaries between areas halftoned with low- and high-frequency screens. To reduce the jaggies, our screens obey a harmonic relationship. In addition, we implement a blending process based on a transition region. We propose a nonlinear blending process in which at each pixel, we choose the maximum of the two weighted halftones, where the weights vary according to the position in the transition region. Moreover, we describe an online tone-mapping for the boundary blending process, based on an offline calibration procedure that effectively assures the desired tone values within the transition region.
Mark Q. Shaw, George Kerby, Terry Nelson, Di-Yuan Tzeng, Kurt R. Bengtson, Jan P. Allebach
IEEE Trans. Image Process.4