Takeshi Okada

dblp:92/2112 · DBLP profile ↗
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22ranked-venue papers
0as first author
5since 2021 · last 2025
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 21 · 5 since 2021Applied, interdisciplinary, general and emerging computing · 21 · 5 since 2021Systems, architecture and hardware · 1
YearPublicationVenuePosition
2025 Method for Quantification of the Process of Collaborative Creativity: Visualization of the Dynamics by C2RQA
Daichi Shimizu, Takeshi Okada
CogSci2
2024 Exploring the Dynamics of Dyadic Communication and Performance in Acting Training
Jingyan Sun, Takeshi Okada
CogSci2
2022 Dynamics of Interaction with the Environment in Creativity: Embodied Imagination Framework
Daichi Shimizu, Takeshi Okada
CogSci2
2022 Interaction in Acting Training and its Manifestations in Novices and Actors
Jingyan Sun, Takeshi Okada
CogSci2
2021 Emotion Expression Captured by Utterances in Acting and Underpinning Internal Changes in Actors
Jingyan Sun, Takeshi Okada
CogSci2
2019 How does art appreciation promote artistic inspiration?
Chiaki Ishiguro, Takeshi Okada
CogSci2
2019 Relationship Between Creative Experience, Recognition of Creative Process and Aesthetic Impression in Art-Viewing
Kazuki Matsumoto, Takeshi Okada
CogSci2
2019 The Cognitive Process of Reinterpreting Non-art Objects in an Art Context
Koto Minami, Daichi Shimizu, Takeshi Okada
CogSci3
2019 Interaction between Idea-generation and Idea-externalization Processes in Artistic Creation: Study of an Expert Breakdancer
Daichi Shimizu, Masaya Hirashima, Takeshi Okada
CogSci3
2019 A case study of formation of an art concept by a contemporary artist: Analysis of the utilization of drawing in the early phase
Kikuko Takagi, Takeshi Okada, Sawako Yokochi
CogSci2
2019 The process of art-making: An analysis of artist's modification of conditions in the art-making process
Sawako Yokochi, Takeshi Okada
CogSci2
2015 The Effects of Art Experience, Competence in Artistic Creation, and Methods of Appreciation on Artistic Inspiration
Chiaki Ishiguro, Takeshi Okada
CogSci2
2015 Deliberate Practice Revisited: Complexity and Creativity in the Practice Process in Breakdance
Daichi Shimizu, Takeshi Okada
CogSci2
2015 Formation of an art concept: A case study using quantitative analysis of a contemporary artist's interview data
Kikuko Takagi, Akihiro Kawase, Sawako Yokochi, Takeshi Okada
CogSci4
2013 How can an art course in photography inspire students' artistic creativity?
Chiaki Ishiguro, Takeshi Okada
CogSci2
2013 Temporal coordination patterns of performer and audience in vaudeville settings
Ryota Nomura, Takeshi Okada
CogSci2
2013 Physical Skill and Idea Interaction in the Creation of New Dance Movements
Daichi Shimizu, Takeshi Okada
CogSci2
2013 Formation of an art concept: How is visual information from photography utilized by the artist in concept formation?
Kikuko Takagi, Takeshi Okada, Sawako Yokochi
CogSci2
2012 Emergence of control in artistic expressions and the process of expretise
Chiaki Ishiguro, Takeshi Okada
CogSci2
2012 Process of Improvisational Contemporary Dance
Yuko Nakano, Takeshi Okada
CogSci2
2012 Creative Process of Improvised Street Dance
Daichi Shimizu, Takeshi Okada
CogSci2
1988 Cache-based pipeline architecture in the Hitachi H32/200 32-bit microprocessor
abstract
A stack cache scheme in combination with a general register set is presented as an alternative to the register file. Two cache memories, a 1-K byte code cash and a four-entry cache for branch instructions, are also embedded to accelerate the pipeline stream. This scheme has been implemented and evaluated on a 32-bit microprocessor, the Hitachi H32/200, based on TRON (The Real-time Operating system Nucleus) specifications. This processor contains 730 K transistors in 1.0- mu m CMOS. It performs 6 to 7 MIPS (million instruction per second) at a 20-MHz clock rate.>
Tadahiko Nishimukai, Hideo Inayoshi, Kikuko Takagi, Kazuhiko Iwasaki, Ikuya Kawasaki, M. Hanawa, Takeshi Okada
ICCD7