In recent years, significant progress has been achieved for 3D object detection on point clouds thanks to the advances in 3D data collection and deep learning techniques. Nevertheless, 3D scenes exhibit a lot of variations and are prone to sensor inaccuracies as well as information loss during pre-processing. Thus, it is crucial to design techniques that are robust against these variations. This requires a detailed analysis and understanding of the effect of such variations. This work aims to analyze and benchmark popular point-based 3D object detectors against several data corruptions. To the best of our knowledge, we are the first to investigate the robustness of point-based 3D object detectors. To this end, we design and evaluate corruptions that involve data addition, reduction, and alteration. We further study the robustness of different modules against local and global variations. Our experimental results reveal several intriguing findings. For instance, we show that methods that integrate Transformers at a patch or object level lead to increased robustness, compared to using Transformers at the point level. The code is available at https://github.com/sultanabughazal/robustness3d.

Existing deep learning-based 3D object detectors typically rely on the appearance of individual objects and do not explicitly pay attention to the rich contextual information of the scene. In this work, we propose Contextualized Multi-Stage Refinement for 3D Object Detection (CMR3D) framework, which takes a 3D scene as an input and strives to explicitly integrate useful contextual information of the scene at multiple levels to predict a set of object bounding-boxes along with their corresponding semantic labels. To this end, we propose to utilize a context enhancement network that captures the contextual information at different levels of granularity followed by a multi-stage refinement module to progressively refine the box positions and class predictions. Extensive experiments on the large-scale ScanNetV2 benchmark reveals the benefits of our proposed method, leading to an absolute improvement of 2.0% over the baseline. In addition to 3D object detection, we investigate the effectiveness of our CMR3D framework for the problem of 3D object counting. Our source code is available at https://github.com/Dhanalaxmi17/CMR3D.

Recognizing materials and textures in realistic imaging conditions is a challenging computer vision problem. For many years, local features based orderless representations were a dominant approach for texture recognition. Recently deep local features, extracted from the intermediate layers of a Convolutional Neural Network (CNN), are used as filter banks. These dense local descriptors from a deep model, when encoded with Fisher Vectors, have shown to provide excellent results for texture recognition. The CNN models, employed in such approaches, take RGB patches as input and train on a large amount of labeled images. We show that CNN models, which we call TEX-Nets, trained using mapped coded images with explicit texture information provide complementary information to the standard deep models trained on RGB patches. We further investigate two deep architectures, namely early and late fusion, to combine the texture and color information. Experiments on benchmark texture datasets clearly demonstrate that TEX-Nets provide complementary information to standard RGB deep network. Our approach provides a large gain of 4.8%, 3.5%, 2.6% and 4.1% respectively in accuracy on the DTD, KTH-TIPS-2a, KTH-TIPS-2b and Texture-10 datasets, compared to the standard RGB network of the same architecture. Further, our final combination leads to consistent improvements over the state-of-the-art on all four datasets.

Automatic analysis of visual art, such as paintings, is a challenging inter-disciplinary research problem. Conventional approaches only rely on global scene characteristics by encoding holistic information for computational painting categorization. We argue that such approaches are sub-optimal and that discriminative common visual structures provide complementary information for painting classification.