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Arun Shenoy

dblp:01/3964 · DBLP profile ↗
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5ranked-venue papers
1as first author
0since 2021 · last 2008
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 4 · 1 first-authorArtificial intelligence and machine learning · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
3 papers
Audio and music processing · 100%

Topics — the 4 heaviest of 5, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Audio and music processing › music information retrieval › music alignment
lyrics-to-audio alignment
0.122008
LyricAlly: Automatic Synchronization of Textual Lyrics to Acoustic Music Signals · IEEE Trans. Speech Audio Process. 2008
LyricAlly: automatic synchronization of acoustic musical signals and textual lyrics · ACM Multimedia 2004
Audio and music processing › music information retrieval › singing information processing
singing voice detection
0.122008
LyricAlly: Automatic Synchronization of Textual Lyrics to Acoustic Music Signals · IEEE Trans. Speech Audio Process. 2008
Singing voice detection in popular music · ACM Multimedia 2004
Audio and music processing
music information retrieval
0.122004
LyricAlly: automatic synchronization of acoustic musical signals and textual lyrics · ACM Multimedia 2004
Singing voice detection in popular music · ACM Multimedia 2004
Audio and music processing › music structure analysis
chorus detection
0.012008
LyricAlly: Automatic Synchronization of Textual Lyrics to Acoustic Music Signals · IEEE Trans. Speech Audio Process. 2008

Methods — techniques the papers use, named apart from their topics

text processing · 0.1hierarchical rhythm structure analysis · 0.1audio feature extraction · 0.1statistical hypothesis testing · 0.0hierarchical rhythm analysis · 0.0hidden markov model · 0.0bootstrapping · 0.0audio processing · 0.0
YearPublicationVenuePosition
2008 LyricAlly: Automatic Synchronization of Textual Lyrics to Acoustic Music Signals
abstract
We present LyricAlly, a prototype that automatically aligns acoustic musical signals with their corresponding textual lyrics, in a manner similar to manually-aligned karaoke. We tackle this problem based on a multimodal approach, using an appropriate pairing of audio and text processing to create the resulting prototype. LyricAlly's acoustic signal processing uses standard audio features but constrained and informed by the musical nature of the signal. The resulting detected hierarchical rhythm structure is utilized in singing voice detection and chorus detection to produce results of higher accuracy and lower computational costs than their respective baselines. Text processing is employed to approximate the length of the sung passages from the lyrics. Results show an average error of less than one bar for per-line alignment of the lyrics on a test bed of 20 songs (sampled from CD audio and carefully selected for variety). We perform a comprehensive set of system-wide and per-component tests and discuss their results. We conclude by outlining steps for further development.
Min-Yen Kan, Ye Wang 0007, Denny Iskandar, Tin Lay Nwe, Arun Shenoy
IEEE Trans. Speech Audio Process.5
2005 Music transcription using an instrument model
abstract
We introduce a method to transcribe music with the help of an instrument model. One of the most important and difficult problems in music transcription is polyphonic pitch estimation. Common pitch estimation algorithms reported in the literature tend to have errors in the following three situations: missing fundamental; missing harmonics; shared frequencies. We believe an instrument model can make pitch estimation more robust in these three situations and thus can help to improve music transcription accuracy. We devise a spectrum subtraction algorithm to transcribe single and multiple instrument polyphonic music.
Terence Sim, Ye Wang 0007, Arun Shenoy
ICASSP (3)4
2004 Key determination of acoustic musical signals
abstract
The work presents a novel rule-based approach for determining the key of acoustic musical signals. Knowledge of the key enables to be derived, from music knowledge, the pitch class elements that a piece of music uses. Our technique is a combination of chroma based frequency analysis and music knowledge of rhythm structure and chord change patterns followed by rule-based inference. Experimental results illustrate that 90% accuracy is achieved for key determination and we have given an explanation for the cases that have generated an incorrect key. Steps for further development are also outlined.
Arun Shenoy, Roshni Mohapatra, Ye Wang 0007
ICME1
2004 Singing voice detection in popular music
abstract
We propose a novel technique for the automatic classification of vocal and non-vocal regions in an acoustic musical signal. Our technique uses a combination of harmonic content attenuation using higher level musical knowledge of key followed by sub-band energy processing to obtain features from the musical audio signal. We employ a Multi-Model Hidden Markov Model (MM-HMM) classifier for vocal and non-vocal classification that utilizes song structure information to create multiple models as opposed to conventional HMM training methods that employ only one model for each class. A statistical hypothesis testing approach followed by an automatic bootstrapping process is employed to further improve the accuracy of classification. An experimental evaluation on a database of 20 popular songs shows the validity of the proposed approach with an average classification accuracy of 86.7%.
Tin Lay Nwe, Arun Shenoy, Ye Wang 0007
ACM Multimedia2
2004 LyricAlly: automatic synchronization of acoustic musical signals and textual lyrics
abstract
We present a prototype that automatically aligns acoustic musical signals with their corresponding textual lyrics, in a manner similar to manually-aligned karaoke. We tackle this problem using a multimodal approach, where the appropriate pairing of audio and text processing helps create a more accurate system. Our audio processing technique uses a combination of top-down and bottom-up approaches, combining the strength of low-level audio features and high-level musical knowledge to determine the hierarchical rhythm structure, singing voice and chorus sections in the musical audio. Text processing is also employed to approximate the length of the sung passages using the textual lyrics. Results show an average error of less than one bar for per-line alignment of the lyrics on a test bed of 20 songs (sampled from CD audio and carefully selected for variety). We perform holistic and per-component testing and analysis and outline steps for further development.
Ye Wang 0007, Min-Yen Kan, Tin Lay Nwe, Arun Shenoy
ACM Multimedia4