We investigate the problem of incorporating higher-level symbolic score-like information into Automatic Music Transcription (AMT) systems to improve their performance. We use recurrent neural networks (RNNs) and their variants as music language models (MLMs) and present a generative architecture for combining these models with predictions from a frame level acoustic classifier. We also compare different neural network architectures for acoustic modeling. The proposed model computes a distribution over possible output sequences given the acoustic input signal and we present an algorithm for performing a global search for good candidate transcriptions. The performance of the proposed model is evaluated on piano music from the MAPS dataset and we observe that the proposed model consistently outperforms existing transcription methods.

In this paper, we investigate phone sequence modeling with recurrent neural networks in the context of speech recognition. We introduce a hybrid architecture that combines a phonetic model with an arbitrary frame-level acoustic model and we propose efficient algorithms for training, decoding and sequence alignment. We evaluate the advantage of our phonetic model on the TIMIT and Switchboard-mini datasets in complementarity to a powerful context-dependent deep neural network (DNN) acoustic classifier and a higher-level 3-gram language model. Consistent improvements of 2-10% in phone accuracy and 3% in word error rate suggest that our approach can readily replace HMMs in current state-of-the-art systems.

This paper seeks to exploit high-level temporal information during feature extraction from audio signals via non-negative matrix factorization. Contrary to existing approaches that impose local temporal constraints, we train powerful recurrent neural network models to capture long-term temporal dependencies and event co-occurrence in the data. This gives our method the ability to “fill in the blanks” in a smart way during feature extraction from complex audio mixtures, an ability very useful for a number of audio applications. We apply these ideas to source separation problems.

After a more than decade-long period of relatively little research activity in the area of recurrent neural networks, several new developments will be reviewed here that have allowed substantial progress both in understanding and in technical solutions towards more efficient training of recurrent networks. These advances have been motivated by and related to the optimization issues surrounding deep learning. Although recurrent networks are extremely powerful in what they can in principle represent in terms of modeling sequences, their training is plagued by two aspects of the same issue regarding the learning of long-term dependencies. Experiments reported here evaluate the use of clipping gradients, spanning longer time ranges with leaky integration, advanced momentum techniques, using more powerful output probability models, and encouraging sparser gradients to help symmetry breaking and credit assignment. The experiments are performed on text and music data and show off the combined effects of these techniques in generally improving both training and test error.

We investigate the problem of transforming an input sequence into a high-dimensional output sequence in order to transcribe polyphonic audio music into symbolic notation. We introduce a probabilistic model based on a recurrent neural network that is able to learn realistic output distributions given the input and we devise an efficient algorithm to search for the global mode of that distribution. The resulting method produces musically plausible transcriptions even under high levels of noise and drastically outperforms previous state-of- the-art approaches on five datasets of synthesized sounds and real recordings, approximately halving the test error rate.

In this paper we present the techniques used for the University of Montréal's team submissions to the 2013 Emotion Recognition in the Wild Challenge. The challenge is to classify the emotions expressed by the primary human subject in short video clips extracted from feature length movies. This involves the analysis of video clips of acted scenes lasting approximately one-two seconds, including the audio track which may contain human voices as well as background music. Our approach combines multiple deep neural networks for different data modalities, including: (1) a deep convolutional neural network for the analysis of facial expressions within video frames; (2) a deep belief net to capture audio information; (3) a deep autoencoder to model the spatio-temporal information produced by the human actions depicted within the entire scene; and (4) a shallow network architecture focused on extracted features of the mouth of the primary human subject in the scene. We discuss each of these techniques, their performance characteristics and different strategies to aggregate their predictions. Our best single model was a convolutional neural network trained to predict emotions from static frames using two large data sets, the Toronto Face Database and our own set of faces images harvested from Google image search, followed by a per frame aggregation strategy that used the challenge training data. This yielded a test set accuracy of 35.58%. Using our best strategy for aggregating our top performing models into a single predictor we were able to produce an accuracy of 41.03% on the challenge test set. These compare favorably to the challenge baseline test set accuracy of 27.56%.