Demo Data from SIGIR 2026 / reviewers in the wild / expert
Wolfgang Samminger
dblp:07/4122
· DBLP profile ↗
3ranked-venue papers
0as first author
0since 2021 · last 2004
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Graphics, computer vision, multimedia, augmented reality and games · 2Human-computer interaction and ubiquitous computing · 1
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Audio and music processing · 100% | |
| Human-computer interaction and pervasive computing
1 paper |
Interaction techniques and input · 100% |
Topics — the 2 heaviest of 2, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Audio and music processing › music technology › computer music
music performance interface |
0.0 | 1 | 2001 | Conducting a realistic electronic orchestra · UIST 2001 |
Interaction techniques and input
gesture input |
0.0 | 1 | 2001 | Conducting a realistic electronic orchestra · UIST 2001 |
Methods — techniques the papers use, named apart from their topics
variable-speed audio playback · 0.1gesture recognition · 0.1
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2004 | Personal orchestra: a real-time audio/video system for interactive conducting
Jan O. Borchers, Wolfgang Samminger, Max Mühlhäuser |
Multim. Syst. | 3 |
| 2004 | Personal orchestra: a real-time audio/video system for interactive conducting
Jan O. Borchers, Wolfgang Samminger, Max Mühlhäuser |
Multim. Syst. | 3 |
| 2001 | Conducting a realistic electronic orchestraabstractPersonal Orchestra is the first system to let users conduct\nan actual audio and video recording of an orchestra, using\nan infrared baton to control tempo, volume, and instrument\nsections. A gesture recognition algorithm interprets user input,\nand a novel high-fidelity playback algorithm renders audio\nand video data at variable speed without time-stretching\nartifacts. The system is installed as a public exhibit in the\nHOUSE OF MUSIC VIENNA. Jan O. Borchers, Wolfgang Samminger, Max Mühlhäuser |
UIST | 2 |