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Dana Segev

dblp:117/4849 · DBLP profile ↗
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1ranked-venue papers
1as first author
0since 2021 · last 2012
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 1 · 1 first-authorGraphics, computer vision, multimedia, augmented reality and games · 1 · 1 first-author

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Audio and music processing · 100%

Topics — the 1 heaviest of 1, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Audio and music processing › acoustic signal processing › audio signal reconstruction › audio restoration
audio denoising
0.112012
Example-based cross-modal denoising · CVPR 2012

Methods — techniques the papers use, named apart from their topics

example-based denoising · 0.1cross-modal association · 0.1
YearPublicationVenuePosition
2012 Example-based cross-modal denoising
abstract
Widespread current cameras are part of multisensory systems with an integrated computer (smartphones). Computer vision thus starts evolving to cross-modal sensing, where vision and other sensors cooperate. This exists in humans and animals, reflecting nature, where visual events are often accompanied with sounds. Can vision assist in denoising another modality? As a case study, we demonstrate this principle by using video to denoise audio. Unimodal (audio-only) denoising is very difficult when the noise source is non-stationary, complex (e.g., another speaker or music in the background), strong and not individually accessible in any modality (unseen). Cross-modal association can help: a clear video can direct the audio estimator. We show this using an example-based approach. A training movie having clear audio provides cross-modal examples. In testing, cross-modal input segments having noisy audio rely on the examples for denoising. The video channel drives the search for relevant training examples. We demonstrate this in speech and music experiments.
Dana Segev, Yoav Y. Schechner, Michael Elad
CVPR1