Demonstration venue · read-only. Every page can be browsed; the buttons that would change it are switched off. Create an account to run TaxoReview on your own data. A simulation from public publication records: the people listed were not invited and did not agree to review.
? Tutorial for this page

Yuan-Ching Teng

dblp:123/2864 · DBLP profile ↗
← Back
2ranked-venue papers
0as first author
0since 2021 · last 2015
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 1Graphics, computer vision, multimedia, augmented reality and games · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Audio and music processing · 70% Image and video processing · 30%

Topics — the 4 heaviest of 4, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Image and video processing › sparse representation
dictionary learning
0.112012
Bilingual analysis of song lyrics and audio words · ACM Multimedia 2012
Audio and music processing › music information retrieval › music classification
music mood classification
0.112012
Bilingual analysis of song lyrics and audio words · ACM Multimedia 2012
Audio and music processing › music analysis
music signal analysis
0.112012
Bilingual analysis of song lyrics and audio words · ACM Multimedia 2012
Audio and music processing › music information retrieval
lyrics analysis
0.012012
Bilingual analysis of song lyrics and audio words · ACM Multimedia 2012

Methods — techniques the papers use, named apart from their topics

probabilistic topic model · 0.1dictionary learning · 0.1
YearPublicationVenuePosition
2015 Quantitative Study of Music Listening Behavior in a Smartphone Context
abstract
Context-based services have attracted increasing attention because of the prevalence of sensor-rich mobile devices such as smartphones. The idea is to recommend information that a user would be interested in according to the user’s surrounding context. Although remarkable progress has been made to contextualize music playback, relatively little research has been made using a large collection of real-life listening records collected in situ . In light of this fact, we present in this article a quantitative study of the personal, situational, and musical factors of musical preference in a smartphone context, using a new dataset comprising the listening records and self-report context annotation of 48 participants collected over 3wk via an Android app. Although the number of participants is limited and the population is biased towards students, the dataset is unique in that it is collected in a daily context, with sensor data and music listening profiles recorded at the same time. We investigate 3 core research questions evaluating the strength of a rich set of low-level and high-level audio features for music usage auto-tagging (i.e., music preference in different user activities), the strength of time-domain and frequency-domain sensor features for user activity classification, and how user factors such as personality traits are correlated with the predictability of music usage and user activity, using a closed set of 8 activity classes. We provide an in-depth discussion of the main findings of this study and their implications for the development of context-based music services for smartphones.
Yi-Hsuan Yang, Yuan-Ching Teng
ACM Trans. Interact. Intell. Syst.2
2012 Bilingual analysis of song lyrics and audio words
abstract
Thanks to the development of music audio analysis, state-of-the-art techniques can now detect musical attributes such as timbre, rhythm, and pitch with certain level of reliability and effectiveness. An emerging body of research has begun to model the high-level perceptual properties of music listening, including the mood and the preferable listening context of a music piece. Towards this goal, we propose a novel text-like feature representation that encodes the rich and time-varying information of music using a composite of features extracted from the song lyrics and audio signals. In particular, we investigate dictionary learning algorithms to optimize the generation of local feature descriptors and also probabilistic topic models to group semantically relevant text and audio words. This text-like representation leads to significant improvement in automatic mood classification over conventional audio features.
Jen-Yu Liu, Chin-Chia Michael Yeh, Yi-Hsuan Yang, Yuan-Ching Teng
ACM Multimedia4