Three key challenges hinder the development of current deepfake video detection: (1) Temporal features can be complex and diverse: how can we identify general temporal artifacts to enhance model generalization? (2) Spatiotemporal models are proven to lean heavily on one type of forgery artifact and ignore the other (e.g., learning spatial only): how can we ensure balanced learning from both? (3) Videos are naturally resource-intensive: how can we tackle efficiency without compromising accuracy? This paper attempts to tackle the three challenges jointly. First, inspired by the notable generality of using image-level blending data for image forgery detection, we investigate whether and how video-level blending can be effective in video. We then perform a thorough analysis and identify a previously underexplored temporal forgery artifact: Facial Feature Drift (FFD), which commonly exists across different deep-fakes. To reproduce FFD, we then propose a novel Video-level Blending data (VB), which is implemented by blending the original image and its warped version frame-by-frame, serving as a hard negative sample to mine more general artifacts. Second, we carefully design a lightweight Spatiotemporal Adapter (StA) to equip a pretrained image model with the ability to capture both spatial and temporal features jointly and efficiently. StA is designed with two-stream 3D-Conv with varying kernel sizes, allowing it to process spatial and temporal features separately. Extensive experiments validate the effectiveness of our methods.

Fake images, created by recently advanced generative models, have become increasingly indistinguishable from real ones, making their detection crucial, urgent, and challenging. This paper introduces PiD (Pixelwise Decomposition Residuals), a novel detection method that focuses on residual signals within images. Generative models are designed to optimize high-level semantic content (principal components), often overlooking low-level signals (residual components). PiD leverages this observation by disentangling residual components from images, encouraging the model to uncover more underlying and general forgery clues independent of semantic content. Compared to prior approaches that rely on reconstruction techniques or high-frequency information, PiD is computationally efficient and does not rely on any generative models for reconstruction. Specifically, PiD operates at the pixel level, mapping the pixel vector to another color space (e.g., YUV) and then quantizing the vector. The pixel vector is mapped back to the RGB space and the quantization loss is taken as the residual for AIGC detection. Our experiment results are striking and highly surprising: PiD achieves 98% accuracy on the widely used GenImage benchmark, highlighting the effectiveness and generalization performance.

We propose a new comprehensive benchmark to revolutionize the current deepfake detection field to the next generation. Predominantly, existing works identify top-notch detection algorithms and models by adhering to the common practice: training detectors on one specific dataset (e.g., FF++) and testing them on other prevalent deepfake datasets. This protocol is often regarded as a "golden compass" for navigating SoTA detectors. But can these stand-out "winners" be truly applied to tackle the myriad of realistic and diverse deepfakes lurking in the real world? If not, what underlying factors contribute to this gap? In this work, we found the dataset (both train and test) can be the "primary culprit" due to the following: (1) forgery diversity: Deepfake techniques are commonly referred to as both face forgery (face-swapping and face-reenactment) and entire image synthesis (AIGC, especially face). Most existing datasets only contain partial types of them, with limited forgery methods implemented (e.g., 2 swapping and 2 reenactment methods in FF++); (2) forgery realism: The dominated training dataset, FF++, contains out-of-date forgery techniques from the past four years. "Honing skills" on these forgeries makes it difficult to guarantee effective detection generalization toward nowadays' SoTA deepfakes; (3) evaluation protocol: Most detection works perform evaluations on one type, e.g., face-swapping types only, which hinders the development of universal deepfake detectors.To address this dilemma, we construct a highly diverse and large-scale deepfake detection dataset called DF40, which comprises 40 distinct deepfake techniques (10 times larger than FF++). We then conduct comprehensive evaluations using 4 standard evaluation protocols and 8 representative detection methods, resulting in over 2,000 evaluations. Through these evaluations, we provide an extensive analysis from various perspectives, leading to 7 new insightful findings contributing to the field. We also open up 4 valuable yet previously underexplored research questions to inspire future works. We release our dataset, code, and pre-trained weights at https://github.com/YZY-stack/DF40.

Abstract Hidden images contain one or several concealed foregrounds which can be recognized with the assistance of clues preserved by artists. Experienced artists are trained for years to be skilled enough to find appropriate hidden positions for a given image. However, it is not an easy task for amateurs to quickly find these positions when they try to create satisfactory hidden images. In this paper, we present an interactive framework to suggest the hidden positions and corresponding results. The suggested results generated by our approach are sequenced according to the levels of their recognition difficulties. To this end, we propose a novel approach for assessing the levels of recognition difficulty of the hidden images and a new hidden image synthesis method that takes spatial influence into account to make the foreground harmonious with the local surroundings. During the synthesis stage, we extract the characteristics of the foreground as the clues based on the visual attention model. We validate the effectiveness of our approach by performing two user studies, including the quality of the hidden images and the suggestion accuracy.

We present style-aware image cloning, a novel image editing approach for artworks, which allows users to seamlessly insert any photorealistic or artificial objects into an artwork to create a new image that shares the same artistic style with the original artwork. To this end, a real-time image transfer algorithm is developed to stylize the cloned object according to a distance metric based on the artistic styles and semantic information. Several interactive functions, such as layering, shadowing, semantic labeling, and direction field editing, are provided to enhance the harmonization of the composite image. Extensive experimental results demonstrate the effectiveness of our method.