Demo Data from SIGIR 2026 / reviewers in the wild / expert
Sasha Naranjit
dblp:129/2001
· DBLP profile ↗
1ranked-venue papers
0as first author
0since 2021 · last 2013
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Human-computer interaction and ubiquitous computing · 1
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Human-computer interaction and pervasive computing
1 paper |
Collaborative and social computing · 100% |
Topics — the 3 heaviest of 3, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Collaborative and social computing
personal digital archiving |
0.2 | 1 | 2013 | The many faces of facebook: experiencing social media as performance, exhibition, and personal archive · CHI 2013 |
Collaborative and social computing › social media › self-presentation
self-presentation on social media |
0.2 | 1 | 2013 | The many faces of facebook: experiencing social media as performance, exhibition, and personal archive · CHI 2013 |
Collaborative and social computing › social media
social media design |
0.0 | 1 | 2013 | The many faces of facebook: experiencing social media as performance, exhibition, and personal archive · CHI 2013 |
Methods — techniques the papers use, named apart from their topics
qualitative study · 0.2goffman's theatrical metaphor · 0.2
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2013 | The many faces of facebook: experiencing social media as performance, exhibition, and personal archiveabstractThe growing use of social media means that an increasing amount of people's lives are visible online. We draw from Goffman's theatrical metaphor and Hogan's exhibition approach to explore how people manage their personal collection of social media data over time. We conducted a qualitative study of 13 participants to reveal their day-to-day decision-making about producing and curating digital traces on Facebook. Their goals and strategies showed that people experience the Facebook platform as consisting of three different functional regions: a performance region for managing recent data and impression management, an exhibition region for longer term presentation of self-image, and a personal region for archiving meaningful facets of life. Further, users' need for presenting and archiving data in these three regions is mediated by temporality. These findings trigger a discussion of how to design social media that support these dynamic and sometimes conflicting needs. Xuan Zhao 0007, Niloufar Salehi, Sasha Naranjit, Sara Alwaalan, Stephen Voida, Dan Cosley |
CHI | 3 |