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Jack Stockholm

dblp:14/6258 · DBLP profile ↗
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1ranked-venue papers
1as first author
0since 2021 · last 2008
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 first-author

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Audio and music processing · 100%
Human-computer interaction and pervasive computing
1 paper
Ubiquitous computing and smart environments · 100%

Topics — the 3 heaviest of 3, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Audio and music processing
music performance
0.112008
Eavesdropping: audience interaction in networked audio performance · ACM Multimedia 2008
Audio and music processing › music technology › computer music
networked music performance
0.112008
Eavesdropping: audience interaction in networked audio performance · ACM Multimedia 2008
Ubiquitous computing and smart environments › public displays › public display interaction
audience interaction
0.112008
Eavesdropping: audience interaction in networked audio performance · ACM Multimedia 2008

Methods — techniques the papers use, named apart from their topics

machine learning · 0.2client-server architecture · 0.2
YearPublicationVenuePosition
2008 Eavesdropping: audience interaction in networked audio performance
abstract
Eavesdropping is an internet-based, interactive audio system that explores network mediated, musical performance in shared public spaces. The project aims to develop an environment which increases audience interaction and connectedness in a localized, computer-controlled performance. The system is a client-server architecture made of three components: (1) an audio preparation interface, (2) an interactive performance interface, and (3) a machine learning-based conductor. An artificial conductor mixes an acoustic ecology based on mood data entered by participants while learning from their feedback. Technicalities and early evaluation are presented.
Jack Stockholm, Philippe Pasquier
ACM Multimedia1