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Wolf-Georg Zaddach

dblp:153/4980 · DBLP profile ↗
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2ranked-venue papers
0as first author
0since 2021 · last 2017
—ORCID · unresolved

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 1Graphics, computer vision, multimedia, augmented reality and games · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Audio and music processing · 100%

Topics — the 3 heaviest of 3, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Audio and music processing › music analysis
expressive performance analysis
0.312017
Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos · IEEE ACM Trans. Audio Speech Lang. Process. 2017
Audio and music processing
music information retrieval
0.312017
Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos · IEEE ACM Trans. Audio Speech Lang. Process. 2017
Audio and music processing › source separation
music source separation
0.112017
Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos · IEEE ACM Trans. Audio Speech Lang. Process. 2017

Methods — techniques the papers use, named apart from their topics

score-informed analysis · 0.3fundamental frequency estimation · 0.3
YearPublicationVenuePosition
2017 Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos
abstract
Both the collection and analysis of large music repertoires constitute major challenges within musicological disciplines such as jazz research. Automatic methods of music analysis based on audio signal processing have the potential to assist researchers and to accelerate the transcription and analysis of music recordings significantly. In this paper, we propose a framework for analyzing improvised monophonic solos in multi-instrumental jazz recordings with special focus on reed and brass instruments. The analysis algorithms rely on prior score-information, which is taken from high quality manual solo transcriptions. Following an initial solo and accompaniment source separation, we propose algorithms for tone-wise extraction of fundamental frequency and intensity contours. Based on this fine-grained representation of recorded jazz solos, we perform several exploratory experiments motivated by questions relating to jazz research in order to analyze the use of expressive stylistic devices such as intonation, pitch modulation, and dynamics in jazz solos. The results show that a score-informed audio analysis of jazz recordings can provide valuable insights into the individual stylistic characteristics of jazz musicians.
Jakob Abeßer, Klaus Frieler, Estefanía Cano, Martin Pfleiderer, Wolf-Georg Zaddach
IEEE ACM Trans. Audio Speech Lang. Process.5
2014 Score-Informed Tracking and Contextual Analysis of Fundamental Frequency Contours in Trumpet and Saxophone Jazz Solos
Jakob Abeßer, Martin Pfleiderer, Klaus Frieler, Wolf-Georg Zaddach
DAFx4