Demo Data from SIGIR 2026 / reviewers in the wild / expert
Alexis Andre
dblp:23/7194
· DBLP profile ↗
1ranked-venue papers
1as first author
0since 2021 · last 2010
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 first-authorHuman-computer interaction and ubiquitous computing · 1 · 1 first-author
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Human-computer interaction and pervasive computing
1 paper |
Haptics and multimodal interaction · 77% Personal fabrication and tangible interfaces · 23% |
Topics — the 2 heaviest of 2, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Haptics and multimodal interaction › multisensory interaction
audio-tactile interaction |
0.1 | 1 | 2010 | OtoMushi: touching sound · SIGGRAPH ASIA (Sketches) 2010 |
Personal fabrication and tangible interfaces
tangible interaction |
0.0 | 1 | 2010 | OtoMushi: touching sound · SIGGRAPH ASIA (Sketches) 2010 |
Methods — techniques the papers use, named apart from their topics
waveform-based audio playback · 0.1
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2010 | OtoMushi: touching soundabstractOtoMushi (sound insect in Japanese) is a new platform for interacting with sound samples. Each sample is represented as an insect where the body of the insect shows the waveform of the sample: stroking a part of the body plays the correspond part of the sample back, with the specified speed and direction. Alexis Andre |
SIGGRAPH ASIA (Sketches) | 1 |