Demo Data from SIGIR 2026 / reviewers in the wild / expert
Jingjie Zhu
dblp:233/3598
· DBLP profile ↗
5ranked-venue papers
0as first author
2since 2021 · last 2024
0000-0002-9113-3161ORCID · corroborated
Domains — the database's venue-derived domains; a paper can count in several
Artificial intelligence and machine learning · 2 · 1 since 2021Systems, architecture and hardware · 2 · 1 since 2021Graphics, computer vision, multimedia, augmented reality and games · 2 · 1 since 2021Databases, data management, data science and information retrieval · 1
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Image and video processing · 100% | |
| Human-computer interaction and pervasive computing
1 paper |
Collaborative and social computing · 100% |
Topics — the 2 heaviest of 2, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Image and video processing › image restoration
image inpainting |
0.8 | 1 | 2024 | Human-Robot Interactive Creation of Artistic Portrait Drawings · ICRA 2024 |
Collaborative and social computing › collaborative design
collaborative drawing |
0.8 | 1 | 2024 | Human-Robot Interactive Creation of Artistic Portrait Drawings · ICRA 2024 |
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2024 | Human-Robot Interactive Creation of Artistic Portrait DrawingsabstractIn this paper, we present a novel system for Human-Robot Interactive Creation of Artworks (HRICA). Different from previous robot painters, HRICA allows a human user and a robot to alternately draw strokes on a canvas, to collaboratively create a portrait drawing through frequent interactions. The key is to enable the robot to understand human intentions, during the interactive creation process. We here formulate this as a mask-free image inpainting problem, and propose a novel method to estimate the complete version of a portrait drawing, after the human user has drawn some initial strokes. In this way, the robot can select some complementary strokes and draw them on the canvas. To train and evaluate our inpainting method, we construct a novel large-scale portrait drawing dataset, CelebLine, which composes of high-quality portrait line-drawings, with dense labels of both 2D semantic parsing masks and 3D depth maps. Finally, we develop a human-robot interactive drawing system with low-cost hardware, user-friendly interface, and interesting creation experience. Experiments show that our robot can stably cooperate with human users to create diverse styles of portrait drawings. In addition, our portrait drawing inpainting method significantly outperforms previous advanced methods. The code and dataset have been released at: https://github.com/fei-aiart/HRICA. Fei Gao 0006, Lingna Dai, Jingjie Zhu, Mei Du, Maoying Qiao, Chenghao Xia, Nannan Wang 0001, Peng Li 0031 |
ICRA | 3 |
| 2021 | Bridging Unpaired Facial Photos and Sketches by Line-DrawingsabstractIn this paper, we propose a novel method to learn face sketch synthesis models by using unpaired data. Our main idea is bridging the photo domain ${\mathcal{X}}$ and the sketch domain Y by using the line-drawing domain ${\mathcal{Z}}$. Specially, we map both photos and sketches to line-drawings by using a neural style transfer method, i.e. $F:{\mathcal{X}}/{\mathcal{Y}} \mapsto {\mathcal{Z}}$. Consequently, we obtain pseudo paired data $({\mathcal{Z}},{\mathcal{Y}})$, and can learn the mapping $G:{\mathcal{Z}} \mapsto {\mathcal{Y}}$ in a supervised learning manner. In the inference stage, given a facial photo, we can first transfer it to a line-drawing and then to a sketch by G ○ F. Additionally, we propose a novel stroke loss for generating different types of strokes. Our method, termed sRender, accords well with human artists’ rendering process. Experimental results demonstrate that sRender can generate multi-style sketches, and significantly outperforms existing unpaired image-to-image translation methods. Meimei Shang, Fei Gao 0006, Xiang Li 0205, Jingjie Zhu, Lingna Dai |
ICASSP | 4 |
| 2020 | Making Robots Draw A Vivid Portrait In Two MinutesabstractSignificant progress has been made with artistic robots. However, existing robots fail to produce high-quality portraits in a short time. In this work, we present a drawing robot, which can automatically transfer a facial picture to a vivid portrait, and then draw it on paper within two minutes averagely. At the heart of our system is a novel portrait synthesis algorithm based on deep learning. Innovatively, we employ a self-consistency loss, which makes the algorithm capable of generating continuous and smooth brush-strokes. Besides, we propose a componential sparsity constraint to reduce the number of brush-strokes over insignificant areas. We also implement a local sketch synthesis algorithm, and several pre- and post-processing techniques to deal with the background and details. The portrait produced by our algorithm successfully captures individual characteristics by using a sparse set of continuous brush-strokes. Finally, the portrait is converted to a sequence of trajectories and reproduced by a 3-degree-of-freedom robotic arm. The whole portrait drawing robotic system is named AiSketcher. Extensive experiments show that AiSketcher can produce considerably high-quality sketches for a wide range of pictures, including faces in-the-wild and universal images of arbitrary content. To our best knowledge, AiSketcher is the first portrait drawing robot that uses neural style transfer techniques. AiSketcher has attended a quite number of exhibitions and shown remarkable performance under diverse circumstances. Fei Gao 0006, Jingjie Zhu, Zeyuan Yu, Peng Li 0031, Tao Wang 0004 |
IROS | 2 |
| 2020 | Incremental focal loss GANs
Fei Gao 0006, Jingjie Zhu, Hanliang Jiang, Zhenxing Niu, Weidong Han 0001, Jun Yu 0002 |
Inf. Process. Manag. | 2 |
| 2019 | Improving Facial Attractiveness Prediction via Co-attention LearningabstractFacial attractiveness prediction has drawn considerable attention from image processing community. Despite the substantial progress achieved by existing works, various challenges remain. One is the lack of accurate representation for facial composition, which is essential for attractiveness evaluation. In this paper, we propose to use pixel-wise labelling masks as the meta information of facial composition, and input them into a network for learning high-level semantic representations. The other challenge is to define to what degree different local properties contribute to facial attractiveness. To tackle this challenge, we employ a co-attention learning mechanism to concurrently characterize the significance of different regions and that of distinct facial components. We conduct experiments on the SCUT-FBP5500 and CelebA datasets. Results show that our co-attention learning mechanism significantly improves the facial attractiveness prediction accuracy. Besides, our method consistently produces appealing results and outperforms previous advanced approaches. Shengjie Shi, Fei Gao 0006, Xuantong Meng, Xingxin Xu, Jingjie Zhu |
ICASSP | 5 |