In this work, we report the set-up and results of the Liver Tumor Segmentation Benchmark (LiTS), which was organized in conjunction with the IEEE International Symposium on Biomedical Imaging (ISBI) 2017 and the International Conferences on Medical Image Computing and Computer-Assisted Intervention (MICCAI) 2017 and 2018. The image dataset is diverse and contains primary and secondary tumors with varied sizes and appearances with various lesion-to-background levels (hyper-/hypo-dense), created in collaboration with seven hospitals and research institutions. Seventy-five submitted liver and liver tumor segmentation algorithms were trained on a set of 131 computed tomography (CT) volumes and were tested on 70 unseen test images acquired from different patients. We found that not a single algorithm performed best for both liver and liver tumors in the three events. The best liver segmentation algorithm achieved a Dice score of 0.963, whereas, for tumor segmentation, the best algorithms achieved Dices scores of 0.674 (ISBI 2017), 0.702 (MICCAI 2017), and 0.739 (MICCAI 2018). Retrospectively, we performed additional analysis on liver tumor detection and revealed that not all top-performing segmentation algorithms worked well for tumor detection. The best liver tumor detection method achieved a lesion-wise recall of 0.458 (ISBI 2017), 0.515 (MICCAI 2017), and 0.554 (MICCAI 2018), indicating the need for further research. LiTS remains an active benchmark and resource for research, e.g., contributing the liver-related segmentation tasks in http://medicaldecathlon.com/. In addition, both data and online evaluation are accessible via https://competitions.codalab.org/competitions/17094.

Identifying musical instruments in polyphonic music recordings is a challenging but important problem in the field of music information retrieval. It enables music search by instrument, helps recognize musical genres, or can make music transcription easier and more accurate. In this paper, we present a convolutional neural network framework for predominant instrument recognition in real-world polyphonic music. We train our network from fixed-length music excerpts with a single-labeled predominant instrument and estimate an arbitrary number of predominant instruments from an audio signal with a variable length. To obtain the audio-excerpt-wise result, we aggregate multiple outputs from sliding windows over the test audio. In doing so, we investigated two different aggregation methods: one takes the class-wise average followed by normalization, and the other perform temporally local class-wise max-pooling on the output probability prior to averaging and normalization steps to minimize the effect of averaging process suppresses the activation of sporadically appearing instruments. In addition, we conducted extensive experiments on several important factors that affect the performance, including analysis window size, identification threshold, and activation functions for neural networks to find the optimal set of parameters. Our analysis on the instrument-wise performance found that the onset type is a critical factor for recall and precision of each instrument. Using a dataset of 10k audio excerpts from 11 instruments for evaluation, we found that convolutional neural networks are more robust than conventional methods that exploit spectral features and source separation with support vector machines. Experimental results showed that the proposed convolutional network architecture obtained an F1 measure of 0.619 for micro and 0.513 for macro, respectively, achieving 23.1% and 18.8% in performance improvement compared with the state-of-the-art algorithm.