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Nikk Mitchell

dblp:247/3889 · DBLP profile ↗
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1ranked-venue papers
0as first author
0since 2021 · last 2019
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 1Human-computer interaction and ubiquitous computing · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Computational photography and imaging · 100%
Human-computer interaction and pervasive computing
1 paper
Immersive interaction · 100%

Topics — the 2 heaviest of 3, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Immersive interaction › virtual reality
360° video
0.112019
A New 360 Camera Design for Multi Format VR Experiences · VR 2019
Immersive interaction
virtual reality
0.112019
A New 360 Camera Design for Multi Format VR Experiences · VR 2019

Methods — techniques the papers use, named apart from their topics

fractal ratio characterization · 0.8fisheye lens array · 0.8
YearPublicationVenuePosition
2019 A New 360 Camera Design for Multi Format VR Experiences
abstract
We present a new 360 camera design for creating 360 videos for immersive VR experiences. We place eight fish-eye lenses on a circle. Four interlaced fish-eye lenses are slightly re-oriented up in order to cover the scene above. To the best of our knowledge, our camera has the smallest diameter of any existing stereo multi-lens rig on the market. Our camera can be used to create 2D, 3D and 6DoF multi-format 360 videos. Due to its compact design, the minimum safe distance of our new camera is very short (approximately 30cm). This allows users to create special intimate immersive experiences. We also propose to characterize the camera design using the fractal ratio of the distance of adjacent view points and interpupillary distance. While most early camera designs have fractal ratio or =1, our camera has the fractal ratio . Moreover, with adjustable rendering interpupillary distance, our camera can be used to flexibly control the interpupillary distance for creating 3D 360 videos. Our camera design has high fault tolerance and it can continue operating properly even in the event of the failure of some individual lenses.
Nikk Mitchell, Wensong Li
VR3