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Alan P. Parkes

dblp:25/814 · DBLP profile ↗
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4ranked-venue papers
2as first author
0since 2021 · last 1997
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Databases, data management, data science and information retrieval · 2 · 2 first-authorGraphics, computer vision, multimedia, augmented reality and games · 2

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Multimedia analysis and retrieval · 100%
Databases, data mining, and information retrieval
1 paper
Information retrieval · 100%

Topics — the 2 heaviest of 2, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Multimedia analysis and retrieval › image analysis › scene analysis
spatial relation modeling
0.011989
Settings and the Setting Structure: The Description and Automated Propagation of Networks for Perusing Videodisk Image States · SIGIR 1989
Information retrieval
multimedia analysis and retrieval
0.011989
Settings and the Setting Structure: The Description and Automated Propagation of Networks for Perusing Videodisk Image States · SIGIR 1989

Methods — techniques the papers use, named apart from their topics

constraint propagation algorithm · 0.0
YearPublicationVenuePosition
1997 The Application of Video Semantics and Theme Representation in Automated Video Editing
Frank Nack, Alan P. Parkes
Multim. Tools Appl.2
1996 Filmic space-time diagrams for video structure representation
Sean Butler, Alan P. Parkes
Signal Process. Image Commun.2
1989 Settings and the Setting Structure: The Description and Automated Propagation of Networks for Perusing Videodisk Image States
abstract
This paper describes a system for formally representing spatial relationships between videodisc image states called settings. A number of setting relations are defined, these being based on the manipulations of the camera typically used in the production of the moving film: zooming in or out, panning etc.. An algorithm is presented which, given a limited level of initial specification by a describer, will constrain, where possible, the setting relations holding between all pairs of settings. The resulting network is called the settings structure. The paper begins by placing the settings structure into the context of its being one part of the CLORIS system.
Alan P. Parkes
SIGIR1
1989 The prototype cloris system: Describing, retrieving and discussing videodisc stills and sequence
Alan P. Parkes
Inf. Process. Manag.1