Demo Data from SIGIR 2026 / reviewers in the wild / expert
Heng Tze Cheng
dblp:27/2025
· DBLP profile ↗
3ranked-venue papers
2as first author
0since 2021 · last 2009
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Graphics, computer vision, multimedia, augmented reality and games · 2 · 1 first-authorSystems, architecture and hardware · 1 · 1 first-author
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Audio and music processing · 100% |
Topics — the 3 heaviest of 3, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Audio and music processing › music information retrieval
emotion-based music retrieval |
0.1 | 1 | 2008 | Mr. Emo: music retrieval in the emotion plane · ACM Multimedia 2008 |
Audio and music processing › music information retrieval
music emotion recognition |
0.1 | 1 | 2008 | Mr. Emo: music retrieval in the emotion plane · ACM Multimedia 2008 |
Audio and music processing
music information retrieval |
0.1 | 1 | 2008 | Mr. Emo: music retrieval in the emotion plane · ACM Multimedia 2008 |
Methods — techniques the papers use, named apart from their topics
regression · 0.1
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2009 | Multimodal Structure Segmentation and Analysis of Music using Audio and Textual InformationabstractIn this paper, we present a multimodal approach to structure segmentation of music with applications to audio content analysis and music information retrieval. In particular, since lyrics contain rich information about the semantic structure of a song, our approach incorporates lyrics to overcome the existing difficulties associated with large acoustic variation in music. We further design a constrained clustering algorithm for music segmentation and evaluate its performance on commercial recordings. Experimental results show that our method can effectively detect the boundaries and the types of semantic structure of music segments. Heng Tze Cheng, Yi-Hsuan Yang, Yu-Ching Lin, Homer H. Chen |
ISCAS | 1 |
| 2008 | Automatic chord recognition for music classification and retrievalabstractAs one of the most important mid-level features of music, chord contains rich information of harmonic structure that is useful for music information retrieval. In this paper, we present a chord recognition system based on the N-gram model. The system is time-efficient, and its accuracy is comparable to existing systems. We further propose a new method to construct chord features for music emotion classification and evaluate its performance on commercial song recordings. Experimental results demonstrate the advantage of using chord features for music classification and retrieval. Heng Tze Cheng, Yi-Hsuan Yang, Yu-Ching Lin, I-Bin Liao, Homer H. Chen |
ICME | 1 |
| 2008 | Mr. Emo: music retrieval in the emotion planeabstractThis technical demo presents a novel emotion-based music retrieval platform, called Mr. Emo, for organizing and browsing music collections. Unlike conventional approaches which quantize emotions into classes, Mr. Emo defines emotions by two continuous variables arousal and valence and employs regression algorithms to predict them. Associated with arousal and valence values (AV values), each music sample becomes a point in the arousal-valence emotion plane, so a user can easily retrieve music samples of certain emotion(s) by specifying a point or a trajectory in the emotion plane. Being content centric and functionally powerful, such emotion-based retrieval complements traditional keyword- or artist-based retrieval. The demo shows the effectiveness and novelty of music retrieval in the emotion plane. Yi-Hsuan Yang, Yu-Ching Lin, Heng Tze Cheng, Homer H. Chen |
ACM Multimedia | 3 |