Demo Data from SIGIR 2026 / reviewers in the wild / expert
L. H. Geyer
dblp:297/2119
· DBLP profile ↗
1ranked-venue papers
0as first author
0since 2021 · last 1983
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Human-computer interaction and ubiquitous computing · 1
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Human-computer interaction and pervasive computing
1 paper |
Usability and user experience research · 100% | |
| Computer graphics and multimedia
1 paper |
Visualization and visual analytics · 100% |
Topics — the 3 heaviest of 3, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Usability and user experience research › visual perception
display readability |
0.0 | 1 | 1983 | Effect of font and medium on recognition/confusion · CHI 1983 |
Usability and user experience research › visual perception
text legibility |
0.0 | 1 | 1983 | Effect of font and medium on recognition/confusion · CHI 1983 |
Visualization and visual analytics › perception
visual perception |
0.0 | 1 | 1983 | Effect of font and medium on recognition/confusion · CHI 1983 |
Methods — techniques the papers use, named apart from their topics
tachistoscopic display · 0.0confusion matrix analysis · 0.0
| Year | Publication | Venue | Position |
|---|---|---|---|
| 1983 | Effect of font and medium on recognition/confusionabstractSystematic differences in recognition/confusion due to font variation is estimated by using confusion matrices of the full 26 capital letters of the English alphabet in 5 × 7 dot matrix font and “Keepsake” conventional stroke font. Average correct recognition was controlled to 50% by limiting brightness and duration of tachistoscopic displays for each font to individually determined levels for each of the four subjects. Each stimulus symbol was presented 45 times to each subject, resulting in 180 trials per letter per font. S. M. Gupta, L. H. Geyer, J. A. Maalouf |
CHI | 2 |