In the era of large-scale visual data, understanding collections of images is a challenging yet important task. To this end, we introduce ImageSet2Text, a novel method to automatically generate natural language descriptions of image sets. Based on large language models, visual-question answering chains, an external lexical graph, and CLIP-based verification, ImageSet2Text iteratively extracts key concepts from image subsets and organizes them into a structured concept graph. We conduct extensive experiments evaluating the quality of the generated descriptions in terms of accuracy, completeness, and user satisfaction. We also examine the method's behavior through ablation studies, scalability assessments, and failure analyses. Results demonstrate that ImageSet2Text combines data-driven AI and symbolic representations to reliably summarize large image collections for a wide range of applications.

Art and cultural heritage objects carry visual, textual, relational, and symbolic meaning that cannot be reduced to standard image understanding tasks. This tutorial presents computational methods for studying fine art and cultural artifacts, organized around three themes: relationality, meaning, and recognizability. We cover multimodal and graph-based representation learning for fine art analysis, knowledge-retrieval and agentic reasoning frameworks for artwork interpretation, and instance-level recognition in cultural heritage settings, as well as large-scale museum benchmarks and synthetic data generation strategies. Beyond these technical contributions, the tutorial foregrounds the cultural dimension of multimedia research, inviting discussion on current approaches for studying art and culture and directions for future research.

The intersection between art and technology poses new challenges for creative expression in the digital space. This paper investigates the algorithmic censorship of artistic nudity in social platforms by means of a qualitative study via semi-structured interviews with 14 visual artists who have experienced censorship online. We explore the professional, emotional, financial and artistic consequences of content removal or shadow-banning. Focusing on the concept of artistic nudity, our findings emphasize the significant impact on artists of the algorithmic censorship of art, the need to consider art as a special case to safeguard the freedom of expression, the importance of education, the limitations of today’s content moderation algorithms and the pressing need for transparency and recourse mechanisms. We advocate for a multi-stakeholder governance model conducive to a more supportive, safer and inclusive online environment that respects and nurtures human creativity.

Augmented Reality or AR filters on selfies have become very popular on social media platforms for a variety of applications, including marketing, entertainment and aesthetics. Given the wide adoption of AR face filters and the importance of faces in our social structures and relations, there is increased interest by the scientific community to analyze the impact of such filters from a psychological, artistic and sociological perspective. However, there are few quantitative analyses in this area mainly due to a lack of publicly available datasets of facial images with applied AR filters. The proprietary, close nature of most social media platforms does not allow users, scientists and practitioners to access the code and the details of the available AR face filters. Scraping faces from these platforms to collect data is ethically unacceptable and should, therefore, be avoided in research. In this paper, we present OpenFilter, a flexible framework to apply AR filters available in social media platforms on existing large collections of human faces. Moreover, we share FairBeauty and B-LFW, two beautified versions of the publicly available FairFace and LFW datasets and we outline insights derived from the analysis of these beautified datasets.