Despite recent advancements, audio-text models still lag behind their image-text counterparts in scale and performance. In this paper, we propose to improve both the data scale and the training procedure of audio-text contrastive models. Specifically, we craft a large-scale audio-text dataset containing 13,000 hours of text-labeled audio, using pretrained language models to process noisy text descriptions and automatic captioning to obtain text descriptions for unlabeled audio samples. We first train on audio-only data with a masked autoencoder (MAE) objective, which allows us to benefit from the scalability of unlabeled audio datasets. We then train a contrastive model with an auxiliary captioning objective with the audio encoder initialized from the MAE model. Our final model, which we name Cacophony, achieves state-of-the-art performance on audio-text retrieval tasks, and exhibits competitive results on the HEAR benchmark and other downstream tasks such as zero-shot classification.

Fully-supervised models for source separation are trained on parallel mixture-source data and are currently state-of-the-art. However, such parallel data is often difficult to obtain, and it is cumbersome to adapt trained models to mixtures with new sources. Source-only supervised models, in contrast, only require individual source data for training. In this paper, we first leverage flow-based generators to train individual music source priors and then use these models, along with likelihood-based objectives, to separate music mixtures. We show that in singing voice separation and music separation tasks, our proposed method is competitive with a fully-supervised approach. We also demonstrate that we can flexibly add new types of sources, whereas fully-supervised approaches would require retraining of the entire model.