Demo Data from SIGIR 2026 / reviewers in the wild / expert
Ulrich Gries
dblp:32/2565
· DBLP profile ↗
2ranked-venue papers
0as first author
0since 2021 · last 2014
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Security and privacy · 1Graphics, computer vision, multimedia, augmented reality and games · 1
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Network and information security
2 papers |
Digital forensics and information hiding · 100% | |
| Computer graphics and multimedia
2 papers |
Virtual and augmented reality · 64% Multimedia systems and quality of experience · 36% |
Topics — the 6 heaviest of 6, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Digital forensics and information hiding › watermarking
audio watermarking |
0.2 | 1 | 2014 | A Phase-Based Audio Watermarking System Robust to Acoustic Path Propagation · IEEE Trans. Inf. Forensics Secur. 2014 |
Digital forensics and information hiding › digital forensics
forensic analysis |
0.1 | 1 | 2010 | Multimedia security technologies for movie protection · ACM Multimedia 2010 |
Digital forensics and information hiding › fingerprinting
video fingerprinting |
0.1 | 1 | 2010 | Multimedia security technologies for movie protection · ACM Multimedia 2010 |
Digital forensics and information hiding
watermarking |
0.1 | 1 | 2010 | Multimedia security technologies for movie protection · ACM Multimedia 2010 |
Virtual and augmented reality › auditory perception › psychoacoustics
psychoacoustic model |
0.1 | 1 | 2014 | A Phase-Based Audio Watermarking System Robust to Acoustic Path Propagation · IEEE Trans. Inf. Forensics Secur. 2014 |
Multimedia systems and quality of experience › multimedia security
content protection |
0.0 | 1 | 2010 | Multimedia security technologies for movie protection · ACM Multimedia 2010 |
Methods — techniques the papers use, named apart from their topics
resynchronization · 0.4correlation-based detection · 0.4video watermarking · 0.2video fingerprinting · 0.2audio watermarking · 0.2
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2014 | A Phase-Based Audio Watermarking System Robust to Acoustic Path PropagationabstractToday, comparing audio watermarking systems remain a challenge due to the lack of publicly-available reference algorithms. In addition, robustness against acoustic path transmission is only occasionally evaluated. This jeopardizes the chances of digital watermarking to be adopted in the context of applications where such a feature is vital, e.g., second screen, audience measurement, and so on. In this paper, we introduce a rather simple audio watermarking algorithm, whose source code has been publicized for potential reuse by the watermarking community. We then complement this baseline system with three additional components, namely a psychoacoustic model, a resynchronization framework, and an improved correlation-based detector. Reported experimental results clearly demonstrate that the resulting high-fidelity audio watermarking system manages to survive the acoustic path. Michael Arnold, Peter G. Baum, Ulrich Gries, Gwenaël J. Doërr |
IEEE Trans. Inf. Forensics Secur. | 4 |
| 2010 | Multimedia security technologies for movie protectionabstractIn this industrial exhibit, Technicolor will showcase various technologies developed to protect digital audio-visual material all along the media value chain, from production to distribution, including forensics services in case pirated content is detected. The exhibit will be organized around Technicolor's proprietary technologies in video fingerprinting and audio/video watermarking. Michael Arnold, Séverine Baudry, Peter G. Baum, Bertrand Chupeau, Olivier Courtay, Gwenaël J. Doërr, Ulrich Gries, Frédéric Lefèbvre, Michel Morvan, Antoine Robert, Charles Salmon-Legagneur, Christophe Vincent, Mario de Vito |
ACM Multimedia | 8 |