Demo Data from SIGIR 2026 / reviewers in the wild / expert
Stanley Peng
dblp:334/1266
· DBLP profile ↗
1ranked-venue papers
0as first author
1since 2021 · last 2023
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Artificial intelligence and machine learning · 1 · 1 since 2021Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 since 2021
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Audio and music processing · 67% Multimedia analysis and retrieval · 33% | |
| Artificial intelligence
1 paper |
Generative modeling · 100% |
Topics — the 4 heaviest of 4, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Audio and music processing
music generation |
0.7 | 1 | 2023 | Video Background Music Generation: Dataset, Method and Evaluation · ICCV 2023 |
Multimedia analysis and retrieval › audio-visual analysis
video-music correspondence |
0.7 | 1 | 2023 | Video Background Music Generation: Dataset, Method and Evaluation · ICCV 2023 |
Audio and music processing › music generation
video-to-music generation |
0.7 | 1 | 2023 | Video Background Music Generation: Dataset, Method and Evaluation · ICCV 2023 |
Machine learning › Generative modeling
multimodal generation |
0.2 | 1 | 2023 | Video Background Music Generation: Dataset, Method and Evaluation · ICCV 2023 |
Methods — techniques the papers use, named apart from their topics
retrieval-based evaluation · 1.3music prior modeling · 1.3
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2023 | Video Background Music Generation: Dataset, Method and EvaluationabstractMusic is essential when editing videos, but selecting music manually is difficult and time-consuming. Thus, we seek to automatically generate background music tracks given video input. This is a challenging task since it requires music-video datasets, efficient architectures for video-to-music generation, and reasonable metrics, none of which currently exist. To close this gap, we introduce a complete recipe including dataset, benchmark model, and evaluation metric for video background music generation. We present SymMV, a video and symbolic music dataset with various musical annotations. To the best of our knowledge, it is the first video-music dataset with rich musical annotations. We also propose a benchmark video background music generation framework named V-MusProd, which utilizes music priors of chords, melody, and accompaniment along with video-music relations of semantic, color, and motion features. To address the lack of objective metrics for video-music correspondence, we design a retrieval-based metric VMCP built upon a powerful video-music representation learning model. Experiments show that with our dataset, V-MusProd outperforms the state-of-the-art method in both music quality and correspondence with videos. We believe our dataset, benchmark model, and evaluation metric will boost the development of video background music generation. Our dataset and code are available at https://github.com/zhuole1025/SymMV. Le Zhuo, Zhaokai Wang, Baisen Wang, Yue Liao, Chenxi Bao, Stanley Peng, Songhao Han, Aixi Zhang, Fei Fang 0002, Si Liu 0001 |
ICCV | 6 |