Demo Data from SIGIR 2026 / reviewers in the wild / expert
Yang Yang Xiang
dblp:34/8692
· DBLP profile ↗
3ranked-venue papers
3as first author
0since 2021 · last 2012
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Graphics, computer vision, multimedia, augmented reality and games · 3 · 3 first-author
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
2 papers |
Visual content generation and editing · 44% Computer animation and physical simulation · 22% Image and video processing · 22% |
Topics — the 3 heaviest of 5, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Visual content generation and editing
video editing |
0.1 | 1 | 2010 | Automated aesthetic enhancement of videos · ACM Multimedia 2010 |
Visual content generation and editing
video retargeting |
0.1 | 1 | 2010 | Video retargeting for aesthetic enhancement · ACM Multimedia 2010 |
Multimedia systems and quality of experience
video aesthetics |
0.1 | 2 | 2010 | Video retargeting for aesthetic enhancement · ACM Multimedia 2010 Automated aesthetic enhancement of videos · ACM Multimedia 2010 |
Methods — techniques the papers use, named apart from their topics
variable zooming · 0.1sub-shot segmentation · 0.1motion saliency analysis · 0.1motion interest analysis · 0.1
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2012 | A Synaesthetic Approach for Image Slideshow GenerationabstractIn this paper, we present a novel automatic image slideshow system that explores a new medium between images and music. It can be regarded as a new image selection and slideshow composition criterion. Based on the idea of ``hearing colors, seeing sounds" from the art of music visualization, equal importance is assigned to image features and audio properties for better synchronization. We minimize the aesthetic energy distance between visual and audio features. Given a set of images, a subset is selected by correlating image features with the input audio properties. The selected images are then synchronized with the music subclips by their audio-visual distance. The inductive image displaying approach has been introduced for common displaying devices. Yang Yang Xiang, Mohan Kankanhalli |
ICME | 1 |
| 2010 | Automated aesthetic enhancement of videosabstractIn this paper, we present a content based single-shot video editing scheme. We follow the classic long take directing and editing schemes. This system automatically adjusts the projection velocity of raw video clips to enhance the aesthetic interest. We build up the mathematical model for projection rhythm manipulation based on film theories. The system segments interesting sub-shots and ordinary sub-shots within the single video clip. Different sub-shots are projected to different duration to maximize the video interest. The output video is rendered according to adjusted projection duration. Within this framework, we transform the screen rhythm and camera motion of a given single video shot. Motion interests of frames are re-distributed in projection duration modification and certain special projection patterns are introduced to enhance the aesthetic interest of original video. The user study shows that our scheme is very effective. Yang Yang Xiang, Mohan Kankanhalli |
ACM Multimedia | 1 |
| 2010 | Video retargeting for aesthetic enhancementabstractIn this paper, we present a post-editing scheme for camera-work. It is based on video retargeting, but aims to enhance the aesthetic interest of home produced video sequences. The essential part of video clips are emphasized by automatically zooming in. The camera pans to preserve the important features within the frame while zooming in. Different from traditional video retargeting schemes, we use a variable zooming factor which is based on the motion saliency of frames. Yang Yang Xiang, Mohan Kankanhalli |
ACM Multimedia | 1 |