Demo Data from SIGIR 2026 / reviewers in the wild / expert
Florian Thalmann
dblp:35/5513
· DBLP profile ↗
1ranked-venue papers
1as first author
0since 2021 · last 2020
0000-0003-1703-3629ORCID · reported
Domains — the database's venue-derived domains; a paper can count in several
Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 first-author
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Audio and music processing · 100% | |
| Databases, data mining, and information retrieval
1 paper |
Knowledge graphs · 100% |
Topics — the 1 heaviest of 3, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Audio and music processing › music technology › computer music
music representation |
0.4 | 1 | 2020 | Representing Modifiable and Reusable Musical Content on the Web With Constrained Multi-Hierarchical Structures · IEEE Trans. Multim. 2020 |
Methods — techniques the papers use, named apart from their topics
multi-hierarchical graph structures · 0.9logical constraints · 0.9
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2020 | Representing Modifiable and Reusable Musical Content on the Web With Constrained Multi-Hierarchical StructuresabstractThe most commonly used formats for exchanging musical information today are limited in that they represent music as flat and rigid streams of events or as raw audio signals without any structural information about the content. Such files can only be listened to in a linear way and reused and manipulated in manners determined by a target application such as a Digital Audio Workstation. The publisher has no means to incorporate their intentions or understanding of the content. This article introduces an extension of the music formalism CHARM for the representation of modifiable and reusable musical content on the Web. It discusses how various kinds of multi-hierarchical graph structures together with logical constraints can be useful to model different musical situations. In particular, we focus on presenting solutions on how to interpret, navigate and schedule such structures in order for them to be played back. We evaluate the versatility of the representation in a number of practical examples created with a Web-based implementation based on Semantic Web technologies. Florian Thalmann, Geraint A. Wiggins, Mark B. Sandler |
IEEE Trans. Multim. | 1 |