Demo Data from SIGIR 2026 / reviewers in the wild / expert
Charlotte Bird
dblp:352/2902
· DBLP profile ↗
4ranked-venue papers
3as first author
4since 2021 · last 2026
0009-0001-2378-8238ORCID · corroborated
Domains — the database's venue-derived domains; a paper can count in several
Human-computer interaction and ubiquitous computing · 3 · 2 first-author · 3 since 2021Artificial intelligence and machine learning · 1 · 1 first-author · 1 since 2021Applied, interdisciplinary, general and emerging computing · 1 · 1 first-author · 1 since 2021
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Human-computer interaction and pervasive computing
1 paper |
Human-AI interaction · 44% Design research and methods · 44% User interface design and tools · 13% |
Topics — the 2 heaviest of 3, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Human-AI interaction › human-AI co-creation
generative AI co-creation |
1.0 | 1 | 2026 | From Blank Box to Creative Partner: Designing Ecological On-Ramps for First-Time AI Artists · CHI 2026 |
User interface design and tools
interaction patterns |
0.3 | 1 | 2026 | From Blank Box to Creative Partner: Designing Ecological On-Ramps for First-Time AI Artists · CHI 2026 |
Methods — techniques the papers use, named apart from their topics
longitudinal study · 1.0case study · 1.0
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2026 | Mapping Imaginaries: A Futures Workshop for Creative Practices with Generative AIabstractTechno-positivist narratives of efficiency, productivity, and “democratised” creativity risk obscuring the material, situated realities of creative work; narrowing how HCI can imagine and enable alternative futures. This pictorial presents four futures workshops with seventy creative professionals that surfaced nuanced visions of creative practice with AI in 2030 through structured exploration of three temporal forces: the weight of history, the push of the present, and the pull of the future. We contribute to HCI and DIS by offering a visually-documented framework for futures workshops with creative communities, extending futures-oriented design methods with a structured, dialogic approach that makes ambivalent attitudes toward technology visible rather than reducing them to simple polarities. By translating these discussions into visual vignettes, created in collaboration with an illustrator, we show how pictorials can surface and compare nuances across cohorts, making the work accessible to researchers, educators, and the creative communities that this research is intended to support. Pushpi Bagchi, Caterina Moruzzi, Charlotte Bird, Kam Chan, Billy Dixon, Laura Mariah Herman, Kyle Morrison, Aulia Ardista Wiradarmo |
DIS | 3 |
| 2026 | From Blank Box to Creative Partner: Designing Ecological On-Ramps for First-Time AI ArtistsabstractWhile generative AI promises to democratize creativity, we lack empirical understanding of how creative professionals begin using these systems. Through a 10-week longitudinal study following one artist’s self-directed exploration, we ask three case-bounded questions: what interaction patterns emerged? What dynamics characterized sustainable co-creation for this artist? How might we evaluate successful integration in this case? Our findings from this case study reveal: (1) physical environments and material practices drove digital interaction; (2) specific temporal patterns emerged (short prompt bursts, consolidation periods, multi-day resurfacing cycles) and (3) productive discomfort and sustained tension marked successful sessions. These patterns suggest alternative design spaces worth exploring. We contribute: (1) four empirically-grounded design patterns (park-and-resurface, warm-up modes, affect-to-action bridges, comfort controls) that could be prototyped and tested; and (2) speculative provocations that challenge efficiency-first paradigms. This case study demonstrates that some users may benefit from approaches orthogonal to current design paradigms. Charlotte Bird, Caterina Moruzzi, Ewa Luger |
CHI | 1 |
| 2023 | Typology of Risks of Generative Text-to-Image ModelsabstractThis paper investigates the direct risks and harms associated with modern text-to-image generative models, such as DALL-E and Midjourney, through a comprehensive literature review. While these models offer unprecedented capabilities for generating images, their development and use introduce new types of risk that require careful consideration. Our review reveals significant knowledge gaps concerning the understanding and treatment of these risks despite some already being addressed. We offer a taxonomy of risks across six key stakeholder groups, inclusive of unexplored issues, and suggest future research directions. We identify 22 distinct risk types, spanning issues from data bias to malicious use. The investigation presented here is intended to enhance the ongoing discourse on responsible model development and deployment. By highlighting previously overlooked risks and gaps, it aims to shape subsequent research and governance initiatives, guiding them toward the responsible, secure, and ethically conscious evolution of text-to-image models. Charlotte Bird, Eddie L. Ungless, Atoosa Kasirzadeh |
AIES | 1 |
| 2023 | Evaluating Prompt Engineering as a Creative Practice
Charlotte Bird |
ICCC | 1 |