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Fengzhou Pan

dblp:352/9086 · DBLP profile ↗
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1ranked-venue papers
0as first author
1since 2021 · last 2023
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 1 · 1 since 2021Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Human-computer interaction and pervasive computing
1 paper
Accessibility and assistive technology · 100%
Computer graphics and multimedia
1 paper
Audio and music processing · 50% Computer animation and physical simulation · 50%

Topics — the 2 heaviest of 3, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Computer animation and physical simulation
facial animation
0.212023
Music-to-Facial Expressions: Emotion-Based Music Visualization for the Hearing Impaired · AAAI 2023
Audio and music processing › music analysis
music emotion analysis
0.212023
Music-to-Facial Expressions: Emotion-Based Music Visualization for the Hearing Impaired · AAAI 2023

Methods — techniques the papers use, named apart from their topics

action unit mapping · 1.3
YearPublicationVenuePosition
2023 Music-to-Facial Expressions: Emotion-Based Music Visualization for the Hearing Impaired
abstract
While music is made to convey messages and emotions, auditory music is not equally accessible to everyone. Music visualization is a common approach to augment the listening experiences of the hearing users and to provide music experiences for the hearing-impaired. In this paper, we present a music visualization system that can turn the input of a piece of music into a series of facial expressions representative of the continuously changing sentiments in the music. The resulting facial expressions, recorded as action units, can later animate a static virtual avatar to be emotive synchronously with the music.
Fengzhou Pan, Jiaxiong Hu
AAAI2