Demo Data from SIGIR 2026 / reviewers in the wild / expert
Fengzhou Pan
dblp:352/9086
· DBLP profile ↗
1ranked-venue papers
0as first author
1since 2021 · last 2023
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Artificial intelligence and machine learning · 1 · 1 since 2021Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 since 2021
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Human-computer interaction and pervasive computing
1 paper |
Accessibility and assistive technology · 100% | |
| Computer graphics and multimedia
1 paper |
Audio and music processing · 50% Computer animation and physical simulation · 50% |
Topics — the 2 heaviest of 3, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Computer animation and physical simulation
facial animation |
0.2 | 1 | 2023 | Music-to-Facial Expressions: Emotion-Based Music Visualization for the Hearing Impaired · AAAI 2023 |
Audio and music processing › music analysis
music emotion analysis |
0.2 | 1 | 2023 | Music-to-Facial Expressions: Emotion-Based Music Visualization for the Hearing Impaired · AAAI 2023 |
Methods — techniques the papers use, named apart from their topics
action unit mapping · 1.3
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2023 | Music-to-Facial Expressions: Emotion-Based Music Visualization for the Hearing ImpairedabstractWhile music is made to convey messages and emotions, auditory music is not equally accessible to everyone. Music visualization is a common approach to augment the listening experiences of the hearing users and to provide music experiences for the hearing-impaired. In this paper, we present a music visualization system that can turn the input of a piece of music into a series of facial expressions representative of the continuously changing sentiments in the music. The resulting facial expressions, recorded as action units, can later animate a static virtual avatar to be emotive synchronously with the music. Fengzhou Pan, Jiaxiong Hu |
AAAI | 2 |