Demo Data from SIGIR 2026 / reviewers in the wild / expert
Dominika Wanat
dblp:356/8082
· DBLP profile ↗
2ranked-venue papers
2as first author
2since 2021 · last 2025
0000-0002-8790-5114ORCID · corroborated
Domains — the database's venue-derived domains; a paper can count in several
Graphics, computer vision, multimedia, augmented reality and games · 2 · 2 first-author · 2 since 2021Human-computer interaction and ubiquitous computing · 1 · 1 first-author · 1 since 2021
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Multimedia systems and quality of experience · 100% |
Topics — the 1 heaviest of 2, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Multimedia systems and quality of experience
subjective quality assessment |
0.9 | 1 | 2025 | Bridging the Lab and the Wild: Behavioral Experiments as a Pathway to QoE Research Closer to Realistic Environment · ACM Multimedia 2025 |
Methods — techniques the papers use, named apart from their topics
psychometric function fitting · 0.9maximum likelihood estimation · 0.9
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2025 | Bridging the Lab and the Wild: Behavioral Experiments as a Pathway to QoE Research Closer to Realistic EnvironmentabstractA high effort in Quality of Experience (QoE) research has been put into subjective assessment to determine the perceived quality of video. Most laboratory experiments follow guidelines from the ITU-T Recommendations, which suggest Absolute Category Rating (ACR) as a method to conduct such experiments. However, this method of video assessment radically limits confounding variables, is unnatural, and is far from how people cope with quality degradation and the cues they receive in these situations. This paper addresses this issue and proposes a more realistic subjective experiment based on the participant's behavior. Instead of passively rating the degraded quality of silent videos, we created the possibility to react to the annoying quality of chosen Netflix movies and reward participants by increasing the quality to the best possible. To cope with the data obtained, we adapted the method of fitting psychometric functions known in neuroscience, auditory science, animal science, and psychology. As a result, we obtained a more comprehensive image of the participants and their perceived quality, including their consistency, lapses, and differences. We estimated the parameters using Maximum Likelihood Estimation (MLE) and evaluated the goodness-of-fit of three S-shaped functions: Weibull, cumulative normal, and logistic. In the end, as the most common, we analyze the basic properties of the fitted functions, such as the Point of Subjective Equality (PSE), confidence intervals, and slope (β). We examine their role in describing individual differences among 34 subjects. Dominika Wanat, Dawid Juszka, Mikolaj Leszczuk, Lucjan Janowski |
ACM Multimedia | 1 |
| 2023 | Behavior as a Function of Video Quality in an Ecologically Valid ExperimentabstractMost user studies in the QoE multimedia domain are done by asking users about quality. This approach has advantages: it obtains many answers and reduces variance by repeated measurements. However, the results obtained in this context may be different from those obtained in the real application, since quality is not asked about this often in everyday life. It is more natural is to focus on user behavior. The proposed PhD focuses on a method for performing experiments based on observations of a participant’s behavior. We address two main challenges that exist in any new experiment design: how to calculate the interval validity of the proposed method and how to analyze the obtained data. The data analysis we propose is based on psychometric functions. We propose two different experiments, one of which is already ongoing. Dominika Wanat, Lucjan Janowski, Katrien De Moor |
IMX | 1 |