Demo Data from SIGIR 2026 / reviewers in the wild / expert
Jinhao Tian
dblp:364/5237
· DBLP profile ↗
2ranked-venue papers
2as first author
2since 2021 · last 2026
—ORCID · conflict
Domains — the database's venue-derived domains; a paper can count in several
Artificial intelligence and machine learning · 2 · 2 first-author · 2 since 2021Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 first-author · 1 since 2021
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Artificial intelligence
1 paper |
Deep learning architectures and training · 100% | |
| Computer graphics and multimedia
1 paper |
Audio and music processing · 100% |
Topics — the 2 heaviest of 2, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Machine learning › Deep learning architectures and training
transformer |
0.8 | 1 | 2024 | N-gram Unsupervised Compoundation and Feature Injection for Better Symbolic Music Understanding · AAAI 2024 |
Audio and music processing › music analysis
symbolic music understanding |
0.8 | 1 | 2024 | N-gram Unsupervised Compoundation and Feature Injection for Better Symbolic Music Understanding · AAAI 2024 |
Methods — techniques the papers use, named apart from their topics
unsupervised compoundation · 1.5pre-training · 1.5n-grams · 0.8n-gram · 0.8
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2026 | Generalized and group spherical linear interpolation for token-level context compression
Jinhao Tian, Zuchao Li, Meng-Jia Shen, Lefei Zhang |
Neural Networks | 1 |
| 2024 | N-gram Unsupervised Compoundation and Feature Injection for Better Symbolic Music UnderstandingabstractThe first step to apply deep learning techniques for symbolic music understanding is to transform musical pieces (mainly in MIDI format) into sequences of predefined tokens like note pitch, note velocity, and chords. Subsequently, the sequences are fed into a neural sequence model to accomplish specific tasks. Music sequences exhibit strong correlations between adjacent elements, making them prime candidates for N-gram techniques from Natural Language Processing (NLP). Consider classical piano music: specific melodies might recur throughout a piece, with subtle variations each time. In this paper, we propose a novel method, NG-Midiformer, for understanding symbolic music sequences that leverages the N-gram approach. Our method involves first processing music pieces into word-like sequences with our proposed unsupervised compoundation, followed by using our N-gram Transformer encoder, which can effectively incorporate N-gram information to enhance the primary encoder part for better understanding of music sequences. The pre-training process on large-scale music datasets enables the model to thoroughly learn the N-gram information contained within music sequences, and subsequently apply this information for making inferences during the fine-tuning stage. Experiment on various datasets demonstrate the effectiveness of our method and achieved state-of-the-art performance on a series of music understanding downstream tasks. The code and model weights will be released at https://github.com/CinqueOrigin/NG-Midiformer. Jinhao Tian, Zuchao Li, Jiajia Li 0005, Ping Wang 0028 |
AAAI | 1 |